000856968 000__ 03371cam\a2200529Ii\4500
000856968 001__ 856968
000856968 005__ 20210515160229.0
000856968 006__ m\\\\\o\\d\\\\\\\\
000856968 007__ cr\cn\nnnunnun
000856968 008__ 181116s2018\\\\ilu\\\\\ob\\\\001\0\eng\d
000856968 020__ $$a9780226384870$$q(electronic book)
000856968 020__ $$a022638487X$$q(electronic book)
000856968 020__ $$z9780226384566
000856968 020__ $$z022638456X
000856968 020__ $$z9780226384733
000856968 020__ $$z022638473X
000856968 035__ $$a(NhCcYBP)EBS1796122
000856968 040__ $$aNhCcYBP$$cNhCcYBP
000856968 0411_ $$aeng$$hrus
000856968 050_4 $$aN6999.K23$$bA35 2018
000856968 08204 $$a709.47$$223
000856968 1001_ $$aKabakov, Ilʹi͡a Iosifovich,$$d1933-$$eauthor.
000856968 24010 $$aEssays.$$kSelections.$$lEnglish.$$f2018
000856968 24510 $$aOn art /$$cIlya Kabakov ; edited with an introduction by Matthew Jesse Jackson ; translated by Antonina W. Bouis and Cynthia Martin with Matthew Jesse Jackson.
000856968 264_1 $$aChicago ;$$aLondon :$$bThe University of Chicago Press,$$c2018.
000856968 300__ $$a1 online resource.
000856968 336__ $$atext$$btxt$$2rdacontent
000856968 337__ $$acomputer$$bc$$2rdamedia
000856968 338__ $$aonline resource$$bcr$$2rdacarrier
000856968 504__ $$aIncludes bibliographical references and index.
000856968 50500 $$tIntroduction /$$rMatthew Jesse Jackson --$$tCulture, "I," "it," and Favorsky's light ("rhombus") --$$tNozdrev and Pliushkin --$$t. . . Everything is in the turning of the pages --$$tOn emptiness --$$tThe creator looks at his work twice --$$tDust, dirt, and garbage (dust as an object of contemplation) --$$tDiscourse on the perception of the three layers, three levels, into which an ordinary, anonymous written product -- notices, slips, menus, bills, tickets, etc. -- may be broken down --$$tEpistemological thirst --$$tNot everyone will be taken into the future --$$tNew rhombus --$$tWithout culture --$$tPark of culture --$$tFrom the 1960s and the 1970s: notes on unofficial life in Moscow --$$tThe artist-character --$$tFrom an apologia for personalism in the art of the 1960s: an impassioned monologue on 23 June 1986 --$$tConceptualism in Russia --$$tEdge, border, crack --$$tArt has no unloved children --$$tHow I became a character myself --$$tA story about a "culturally relocated" individual --$$tFrom on "total" installation --$$tText as the foundation of visual expression --$$tOn risk --$$tOn Cézannism --$$tThe spirit of music --$$tPublic projects, or the spirit of a place --$$tWhy was it necessary to use the "character" device for the exhibition rather than signing my own name? --$$tNikolai Petrovich (commentary) --$$tFrom Catalog.
000856968 506__ $$aAccess limited to authorized users
000856968 533__ $$aElectronic reproduction.$$bIpswich, MA$$nAvailable via World Wide Web.
000856968 588__ $$aDescription based on online resource; title from PDF title page (viewed November 19, 2018).
000856968 650_0 $$aArt.
000856968 650_0 $$aArt, Russian.
000856968 650_0 $$aArt, Modern$$y20th century.
000856968 650_0 $$aInstallations (Art)
000856968 650_0 $$aConceptualism.
000856968 650_0 $$aArt$$xPhilosophy.
000856968 7001_ $$aJackson, Matthew Jesse,$$eeditor,$$ewriter of introduction,$$etranslator.
000856968 7001_ $$aBouis, Antonina W.,$$etranslator.
000856968 7001_ $$aMartin, Cynthia L.$$c(Russian teacher),$$etranslator.
000856968 7102_ $$aEBSCOhost
000856968 852__ $$bebk
000856968 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1796122$$zOnline Access
000856968 909CO $$ooai:library.usi.edu:856968$$pGLOBAL_SET
000856968 980__ $$aEBOOK
000856968 980__ $$aBIB
000856968 982__ $$aEbook
000856968 983__ $$aOnline