000857337 000__ 06685cam\a2200505\i\4500 000857337 001__ 857337 000857337 005__ 20210515160355.0 000857337 008__ 170425t20172017ilua\\\\\b\\\\001\0\eng\\ 000857337 010__ $$a 2017020222 000857337 019__ $$a975487488 000857337 020__ $$a9780810135932$$q(paperback) 000857337 020__ $$a0810135930$$q(paperback) 000857337 020__ $$z9780810135949$$q(electronic book) 000857337 020__ $$z0810135949$$q(electronic book) 000857337 035__ $$a(OCoLC)ocn975413935 000857337 035__ $$a857337 000857337 040__ $$aIEN/DLC$$beng$$erda$$cINU$$dDLC$$dYDX$$dBTCTA$$dBDX$$dERASA$$dOCLCO$$dGP5$$dYDX$$dLNC$$dNKM$$dGZM$$dIAK$$dYUS$$dCHVBK$$dOCLCO$$dUKTTE$$dMUU$$dWLU$$dYOU$$dUWO$$dIDQ$$dBP1$$dEYM$$dCGP$$dP@N$$dIAD$$dTOH$$dCGL$$dZGM$$dCTX$$dUMC$$dTO9$$dIBE$$dCMA$$dOCLCF$$dPEX$$dFUG$$dCRU$$dJDP$$dKNM$$dH4N$$dBGU$$dFSP$$dCUI$$dOCLCA$$dMTU$$dOCLCA$$dUKUOY$$dVOD$$dICN$$dGDC$$dIOD$$dOCLCQ 000857337 042__ $$apcc 000857337 043__ $$an-us-il 000857337 049__ $$aISEA 000857337 05000 $$aND2639.3.A35$$bW35 2017 000857337 08204 $$a751.7308996077311$$223 000857337 24504 $$aThe Wall of Respect :$$bpublic art and Black liberation in 1960s Chicago /$$cedited by Abdul Alkalimat, Romi Crawford, Rebecca Zorach. 000857337 24630 $$aPublic art and Black liberation in nineteen-sixties Chicago 000857337 264_1 $$aEvanston, Illinois :$$bNorthwestern University Press,$$c2017. 000857337 300__ $$a362 pages :$$billustrations (some color) ;$$c26 cm 000857337 336__ $$atext$$btxt$$2rdacontent 000857337 336__ $$astill image$$bsti$$2rdacontent 000857337 337__ $$aunmediated$$bn$$2rdamedia 000857337 338__ $$avolume$$bnc$$2rdacarrier 000857337 504__ $$aIncludes bibliographical references (pages 345-349) and index. 000857337 50500 $$gIntroduction /$$rAbdul Alkalimat, Romi Crawford, and Rebecca Zorach --$$gI. Looking at the Wall of Respect.$$tPainters, poets, and performance: looking at the Wall of Respect /$$rRebecca Zorach --$$gPoetry.$$tThe Wall /$$rGwendolyn Brooks --$$tThe Wall /$$rDon L. Lee (Haki Madhubuti) --$$tBlack culture /$$rUseni Eugene Perkins --$$tBlack art spirits /$$rAlicia L. Johnson --$$gII. Heroes and heroines.$$tThe heroes and heroines of the Wall of Respect /$$rAbdul Alkalimat, with contributions by Rebecca Zorach --$$gIII. The wall in history and cultural politics.$$tBlack Chicago: the context for the Wall of respect /$$rAbdul Alkalimat --$$tBlack liberation: OBAC and the makers of the Wall of Respect /$$rAbdul Alkalimat --$$gOBAC documents.$$tInvitation letter and statement of purposes /$$rThe Committee for the Arts (Gerald A. McWorter, Hoyt W. Fuller, Conrad Rivers) --$$tBlack people and their art /$$rGerald A. McWorter --$$tFestival of the Arts /$$rOBAC --$$tOBAC position paper : some ideological considerations /$$rGerald A. McWorter --$$tInaugural program /$$rOBAC --$$tVisual Arts Workshop report /$$rOBAC (prepared by Myrna Weaver and Jeff Donaldson) --$$tOBAC : Organization of Black American Culture ("all-purpose handout") /$$rGerald A. McWorter --$$tAn invitation to OBAC dialogues : rappin' Black /$$rJoseph Simpson --$$tBy-laws of the Organization of Black American Culture /$$rHoyt W. Fuller and Gerald A. McWorter --$$tWho is on the wall and why /$$rGerald A. McWorter --$$tWhat is a Black hero? /$$rOBAC --$$tBlack heroes /$$rOBAC$$tOfficer transition (memorandum) /$$rOBAC --$$tOBAC progress meeting (letter) /$$rHoyt W. Fuller and Joseph Simpson --$$gBlack Arts Movement articles.$$tCulture consciousness in Chicago /$$rHoyt W. Fuller --$$tThe Association for the Advancement of Creative Musicians /$$rMuhal Richard Abrams and John Shenoy Jackson --$$tOBAC: a year later /$$rHoyt W. Fuller --$$tToward a Black aesthetic /$$rHoyt W. Fuller --$$gIV. The impact of photography.$$tBlack photographers who take Black pictures /$$rRomi Crawford --$$tCamera works and the Wall of Respect /$$rRomi Crawford --$$gV. Reverberations.$$tConflict and change on the Wall /$$rRebecca Zorach --$$gReverberations.$$tWall paintings on 43d St. show Black man's triumph /$$rSam Washington, The Defender, August 28, 1967 --$$tCrowds gather as 'Wall' is formally dedicated /$$rDave Potter, The Defender, October 2, 1967 --$$tWall of Respect : artists paint images of Black dignity in heart of city ghetto /$$rEbony, December 1967 --$$tThe rise, fall, and legacy of the Wall of Respect movement /$$rJeff Donaldson, The International review of African American art, 1991 --$$tInterview with William Walker (excerpt) /$$rVictor Sorell, June 1991 --$$tWilliam Walker discusses the Wall : Chicago mural group conversation, 1971 --$$tInterview with Eugene "Eda" Wade (excerpt) /$$rRebecca Zorach and Marissa Baker, 2015 --$$tThe Wall of Respect : how Chicago artists gave birth to the ethnic mural /$$rNorman Parish III, Chicago tribune, August 23, 1992 --$$tWall of Respect symposium (excerpt) /$$ropening address by Romi Crawford and Roundtable discussion, School of the Art Institute of Chicago, April 2015 --$$tThe Wall /$$rRoger Bonair-Asgard. 000857337 5208_ $$aThe Wall of Respect: Public Art and Black Liberation in 1960s Chicago' is the first in-depth, illustrated history of a lost Chicago monument. The Wall of Respect was a revolutionary mural created by fourteen members of the Organization of Black American Culture (OBAC) on the South Side of Chicago in 1967. This book gathers historic essays, poetry, and previously unpublished primary documents from the movement's founders that provide a visual guide to the work's creation and evolution. Painters and photographers worked side by side on the mural's seven themed sections, which featured portraits of Black heroes and sheroes. The Wall became a platform for music, poetry, and political rallies. Over time it changed, reflecting painful controversies among the artists as well as broader shifts in the Civil Rights and Black Liberation Movements. At the intersection of African American culture, politics, and Chicago art history, The Wall of Respect offers, in one keepsake-quality work, an unsurpassed collection of images and essays that illuminate a powerful monument that continues to fascinate artists, scholars, and readers in Chicago and across the United States. 000857337 61020 $$aOrganization of Black American Culture$$xHistory. 000857337 650_0 $$aStreet art$$zIllinois$$zChicago. 000857337 650_0 $$aAfrican American mural painting and decoration$$y20th century. 000857337 650_0 $$aAfrican American mural painting and decoration$$zIllinois$$zChicago$$xHistory. 000857337 650_0 $$aAfrican American mural painting and decoration$$xSocial aspects$$zIllinois$$zChicago. 000857337 650_0 $$aBlack Arts movement$$zIllinois$$zChicago$$xHistory. 000857337 650_0 $$aCivil rights movements$$zIllinois$$zChicago$$xHistory. 000857337 650_0 $$aAfrican Americans$$zIllinois$$zChicago$$xSocial conditions$$y20th century. 000857337 651_0 $$aChicago (Ill.)$$xSocial conditions$$y20th century. 000857337 7001_ $$aAlkalimat, Abdul,$$eeditor,$$eauthor. 000857337 7001_ $$aCrawford, Romi,$$eeditor,$$eauthor. 000857337 7001_ $$aZorach, Rebecca,$$d1969-$$eeditor,$$eauthor. 000857337 85200 $$bgen$$hND2639.3.A35$$iW35$$i2017 000857337 909CO $$ooai:library.usi.edu:857337$$pGLOBAL_SET 000857337 980__ $$aBIB 000857337 980__ $$aBOOK