000857581 000__ 03043cam\a2200469Ii\4500 000857581 001__ 857581 000857581 005__ 20230306145310.0 000857581 006__ m\\\\\o\\d\\\\\\\\ 000857581 007__ cr\cn\nnnunnun 000857581 008__ 181231t20182018nyu\\\\\ob\\\\001\0\eng\d 000857581 020__ $$a9781137496768$$q(electronic book) 000857581 020__ $$a1137496762$$q(electronic book) 000857581 020__ $$z9781137496751 000857581 035__ $$aSP(OCoLC)on1080520551 000857581 035__ $$aSP(OCoLC)1080520551 000857581 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dEBLCP 000857581 049__ $$aISEA 000857581 050_4 $$aCB245 000857581 08204 $$a909/.09821$$223 000857581 1001_ $$aJervis, John,$$d1946-$$eauthor. 000857581 24510 $$aModernity theory :$$bmodern experience, modernist consciousness, reflexive thinking /$$cJohn Jervis. 000857581 264_1 $$aNew York, NY :$$bPalgrave Macmillan,$$c[2018] 000857581 264_4 $$c©2018 000857581 300__ $$a1 online resource. 000857581 336__ $$atext$$btxt$$2rdacontent 000857581 337__ $$acomputer$$bc$$2rdamedia 000857581 338__ $$aonline resource$$bcr$$2rdacarrier 000857581 504__ $$aIncludes bibliographical references and index. 000857581 5050_ $$aIntro; Contents; Chapter 1 Introduction: Why Modernity Theory?; A Note on Sources and Footnotes; Chapter 2 Modernity and Modernism: Key Themes; Foundations of Modern Experience; The Art of the Self (Modern and Modernist); Between Kant and Romanticism; Fashioning the Modern; Chapter 3 Reflexivity and the Project of Modernity; Reflexivity: Aspects and Contexts; Reflexivity and Paradox; The Modern Project; Transparency; Chapter 4 Experience and Representation; Topographies of Modern Experience (Imagining Depth); Painting Modern Experience (The Hand, the Eye, and Colour); Experience as Allegory 000857581 5058_ $$aChapter 5 The Mediated WorldMediated Sensation: The Vicarious and the Transgressive; The Medium (From Art to Technology); The Mediated Image and the Mass (From Early Photo to Selfie); Chapter 6 Modernity and Civilization; The Aesthetic Encounter: Sensibility as Feeling and Form; Civilization: Conflicting Models; Civilization: Sublimity and Abjection; Chapter 7 The Nature of It All (Modernist Ontology); Boundaries and Folds; The Universe of Science; Speculative Metaphysical Afterword; Chapter 8 The Meaning of It All (Between Apocalypse and the Banal); Evil: Conflicting Models 000857581 5058_ $$aThe Spectacle of the ExtremeTendencies (The Horizon of the Modern); Slightly Optimistic Conclusion; Postscript: Some Key Terms; Judgement; Orientation; Cultural Aesthetics; Mediation; Circuit of Sensation; Spectacle of Sympathy; Haptic-Optic System; Image-Text System; Figuration; Index 000857581 506__ $$aAccess limited to authorized users. 000857581 588__ $$aOnline resource; title from PDF title page (viewed January 3, 2019). 000857581 60010 $$aKant, Immanuel,$$d1724-1804. 000857581 60010 $$aBenjamin, Walter,$$d1892-1940. 000857581 650_0 $$aCivilization, Western$$xPhilosophy. 000857581 650_0 $$aPhilosophy, Modern. 000857581 650_0 $$aLiterature, Modern. 000857581 852__ $$bebk 000857581 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-49676-8$$zOnline Access$$91397441.1 000857581 909CO $$ooai:library.usi.edu:857581$$pGLOBAL_SET 000857581 980__ $$aEBOOK 000857581 980__ $$aBIB 000857581 982__ $$aEbook 000857581 983__ $$aOnline 000857581 994__ $$a92$$bISE