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Table of Contents
Introduction: how color became modern
The place of perception: local color's colors
Charlotte Perkins Gilman and the progressive arts of pure color
The production and consumption of a child's view of color
Lurid realism: Stephen Crane, Gertrude Stein, and the synthesis of modernism
On feeling colorful and colored in the Harlem Renaissance
Epilogue: Albers after the color sense.
The place of perception: local color's colors
Charlotte Perkins Gilman and the progressive arts of pure color
The production and consumption of a child's view of color
Lurid realism: Stephen Crane, Gertrude Stein, and the synthesis of modernism
On feeling colorful and colored in the Harlem Renaissance
Epilogue: Albers after the color sense.