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000858755 010__ $$a  2015040124
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000858755 020__ $$a9781107696945$$q(paperback)
000858755 020__ $$a1107696941$$q(paperback)
000858755 020__ $$a9781107039322$$q(hardcover)
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000858755 05000 $$aHM1111$$b.S485 2016
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000858755 1001_ $$aShepherd, Simon,$$d1956-$$eauthor.
000858755 24514 $$aThe Cambridge introduction to performance theory /$$cSimon Shepherd, the Royal Central School of Speech and Drama.
000858755 24630 $$aIntroduction to performance theory
000858755 24630 $$aPerformance theory
000858755 264_1 $$aCambridge, UK :$$bCambridge University Press,$$c[2016]
000858755 300__ $$ax, 243 pages ;$$c23 cm.
000858755 336__ $$atext$$btxt$$2rdacontent
000858755 337__ $$aunmediated$$bn$$2rdamedia
000858755 338__ $$avolume$$bnc$$2rdacarrier
000858755 4901_ $$aCambridge introductions to literature
000858755 504__ $$aIncludes bibliographical references and index.
000858755 5050_ $$aPart I. Definitions of performance. Sociology and the rituals of interaction -- Theatre, ceremony and everyday life -- Ethnography, folklore and communicative events -- Cultural performance, social drama and liminality -- Performance as a new sort of knowledge -- Part II. The emergence of performance as sensuous practice. Situationism, games and subversion -- Hippies and expressive play -- Performance as a new pedagogy -- Architecture and the performed city -- New forms of activism -- Happenings and everyday performance -- Body art and feminism -- The arrival of performance art and live art -- Dance party politics -- Part III. Theorising performance. Performance, postmodernism and critical theory -- What performance studies is: version 1: New York and Northwestern -- What performance studies is: version 2: oral interpretation -- How performance studies emerged -- Gender performativity -- Performance and performativity -- The relations between performance, theatre and text -- The magic of performance.
000858755 520__ $$a"Simon Shepherd explains the origins of performance theory, defines the terms and practices within the field and provides new insights into performance's wide range of definitions and uses. Offering an overview of the key figures, their theories and their impact, Shepherd provides a fresh approach to figures including Erving Goffman and Richard Schechner and ideas such as radical art practice, performance studies, radical scenarism and performativity. Essential reading for students, scholars and enthusiasts, this engaging account travels from universities into the streets and back again to examine performance in the context of political activists and teachers, countercultural experiments and feminist challenges, and ceremonies and demonstrations."--Provided by publisher.
000858755 650_0 $$aSocial interaction.
000858755 650_0 $$aPerformance$$xSocial aspects.
000858755 650_0 $$aActing$$xSocial aspects.
000858755 650_0 $$aPerformance art$$xSocial aspects.
000858755 830_0 $$aCambridge introductions to literature.
000858755 85200 $$bgen$$hHM1111$$i.S485$$i2016
000858755 909CO $$ooai:library.usi.edu:858755$$pGLOBAL_SET
000858755 980__ $$aBIB
000858755 980__ $$aBOOK