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ch.1. Introduction: overview of the absurd
Martin Esslin's 'The theatre of the absurd'
Common conceptions of the absurd
Origins of the absurd: the Greeks through the nineteenth century
Origins of the absurd: expressionism, dadaism, surrealism, and other avant-garde movements of the early twentieth century
Philosophy of the absurd: or rather, philosophies of the absurd
Challenges to the notion of "absurd"
Absurd tragicomedy
ch. 2. Setting the stage
Alfred Jarry
Franz Kafka
OBERIU
Antonin Artaud
ch.3. The emergence of a "movement": the historical and intellectual contexts
Post-WWII Europe
Post-WWII United States
The existential front
The Camus=Sartre quarrel
The emergence of analytic philosophy
Why theatre? How the genre came to be the center of the "movement"
ch.4. Samuel Beckett
Waiting for Godot
Other plays
Fiction
Poetry
ch.5. Beckett's notable contemporaries
Edward Albee
Jean Genet
Eugene Ionesco
Harold Pinter
ch.6. The European and American wave of absurdism
Arthur Adamov
Fernando Arrabal
Amiri Baraka
Friedrich Dürrenmatt
Jack Gelber
Václav Havel
Adrienne Kennedy
Arthur Kopit
Slawomir Mrożek
Tadeusz Różewicz
Sam Shepard
N.F. Simpson
Tom Stoppard
ch.7. Post-absurdism?
The influence of the absurdist "movement"
Dramatic and theatrical conventions following the absurdist "movement"
(Later) female absurdists
The multicultural absurd?
Absurdism's legacy outside the theatre: fiction and poetry after the wake of the 1970s
Absurdism in pop culture
ch.8. Absurd criticism - Esslin
Esslin's contemporaries
The lull in absurd criticism
The resurgence of absurd criticism in the new millennium.

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