000858789 000__ 03630cam\a2200349\i\4500 000858789 001__ 858789 000858789 005__ 20210515160738.0 000858789 006__ m\\\\\o\\d\\\\\\\\ 000858789 007__ cr\un\nnnunnun 000858789 008__ 190311m20199999nyu\\\\\ob\\\\001\0\eng\d 000858789 020__ $$a9780190917951$$q(electronic book) 000858789 035__ $$a(StDuBDS)EDZ0002022810 000858789 040__ $$aStDuBDS$$beng$$cStDuBDS$$erda$$epn 000858789 050_4 $$aPN6710 000858789 08204 $$a741.59$$223 000858789 24504 $$aThe Oxford handbook of comic book studies /$$cedited by Frederick Luis Aldama. 000858789 24630 $$aComic book studies 000858789 264_1 $$aNew York :$$bOxford University Press,$$c2019. 000858789 300__ $$a1 online resource. 000858789 336__ $$atext$$2rdacontent 000858789 337__ $$acomputer$$2rdamedia 000858789 338__ $$aonline resource$$2rdacarrier 000858789 4901_ $$aOxford handbooks online 000858789 504__ $$aIncludes bibliographical references. 000858789 50500 $$tWhat Kind of Studies Are Comics Studies? /$$rBenjamin Woo --$$tRadical Graphics: Australian Second Phase Comics /$$rKevin Patrick --$$tColumbia and the Editorial Cartoon /$$rNhora Lucía Serrano --$$tEfficacy of Social Commentary through Cartooning /$$rAlly Shwed --$$tForgetting at the intersection of Comics and the Multimodal Novel: James Sie's Still Life Las Vegas /$$rTorsa Ghosal --$$tIrony, Ethics, and Lyric Narrative in Miriam Engelberg's Cancer Made Me a Shallower Person /$$rJames Phelan --$$tWhy There Is No “Language of Comics” /$$rFrank Bramlett --$$tThe Replacements: Ethnicity, Gender and Legacy Heroes in Marvel Comics /$$rJeffrey A. Brown --$$tHammer in Hand: Feminist Community Building in Jason Aaron's Thor /$$rSusan Kirtley --$$tChildren in Comics: Between Education and Entertainment, Conformity and Agency /$$rMaaheen Ahmed --$$tAuto/biographics and Graphic Histories Made for the Classroom: Logicomix and Abina and the Important Men /$$rSidonie Smith, Julia Watson --$$tCandy and Drugs for Dinner: Rat Queens, Genre, and Our Aesthetic Categories /$$rSean Guynes-Vishniac --$$tMy Favorite Thing is Monsters: The Socially Engaged Graphic Novel as a Platform for Intersectional Feminism /$$rDan Hassler-Forest --$$tPaper or Plastic?: Mapping the Transmedial Intersections of Comics and Action Figures /$$rJonathan Alexandratos, Daniel Yezbick --$$tTransformative Architectures in Postcolonial Hong Kong Comics /$$rKin Wai Chu --$$tAdaptation and Racial Representation in DellGold Key TV Tie-ins /$$rAndrew J. Kunka --$$tNon-Compliants, Brimpers, and She-Romps: Bitch Planet, Sex Criminals and Their Publics /$$rHenry Jenkins --$$tLiterary Adaptations in Comics and Graphic Novels /$$rJan Baetens --$$tComic Studies in America: The Making of a Field of Scholarship? /$$rIan Gordon --$$tNext Issue: Anticipation and Promise in Comics Studies /$$rMatthew Smith, Randy Duncan --$$tComics Studies as Interdiscipline /$$rDale Jacobs --$$tWhat Else is a Comic? Between Bayeux and Beano /$$rEvan Thomas --$$tDrawing, Redrawing, Undrawing /$$rBenoît Crucifix --$$tReading Spaces: The Politics of Page Layout /$$rKatherine Kelp-Stebbins --$$tThe Cartoon on the Comics Page: A Phenomenology /$$rChristopher Pizzino --$$tBakhtinian Laughter and Recent Political Editorial Cartoons /$$rMichael A. Chaney, Sara B. Chaney. 000858789 506__ $$aAccess limited to authorized users. 000858789 588__ $$aDescription based on online resource; title from home page (viewed on March 11, 2019). 000858789 650_0 $$aComic books, strips, etc.$$xHistory and criticism. 000858789 7001_ $$aAldama, Frederick Luis,$$d1969-$$eeditor. 000858789 77608 $$iPrint version:$$z9780190917944 000858789 830_0 $$aOxford handbooks. 000858789 85280 $$bebk$$hOxford Handbooks Online 000858789 85640 $$3Oxford handbooks online$$uhttps://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1093/oxfordhb/9780190917944.001.0001$$zOnline Access 000858789 909CO $$ooai:library.usi.edu:858789$$pGLOBAL_SET 000858789 980__ $$aBIB 000858789 983__ $$aOnline