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000859215 020__ $$a9780500021620$$q(hardcover)
000859215 020__ $$a0500021627$$q(hardcover)
000859215 035__ $$a(OCoLC)on1079357267
000859215 035__ $$a859215
000859215 040__ $$aUKMGB$$beng$$erda$$cUKMGB$$dBDX$$dOCLCF$$dERASA$$dYT1$$dYDX$$dTOH$$dUAB
000859215 049__ $$aISEA
000859215 050_4 $$aN6490$$b.M679 2019
000859215 08204 $$a709.04$$223
000859215 1001_ $$aMorley, Simon,$$d1958-$$eauthor.
000859215 24510 $$aSeven keys to modern art /$$cSimon Morley.
000859215 2463_ $$a7 keys to modern art
000859215 264_1 $$aNew York, New York :$$bThames and Hudson,$$c2019.
000859215 300__ $$a256 pages :$$billustrations (color) ;$$c22 cm
000859215 336__ $$atext$$btxt$$2rdacontent
000859215 336__ $$astill image$$bsti$$2rdacontent
000859215 337__ $$aunmediated$$bn$$2rdamedia
000859215 338__ $$avolume$$bnc$$2rdacarrier
000859215 504__ $$aIncludes bibliographical references and index.
000859215 5051_ $$aIntroduction -- The Red Studio, Henri Matisse (1869-1954) -- Bottle of Vieux Marc, Glass, a Guitar and Newspaper, 1913, Pablo Picasso (1881-1973) -- Black Square, Kazimir Malevich (1878-1935) -- Fountain, Marcel Duchamp (1887-1968) -- The Empty Mask, Rene Magritte (1898-1967) -- New York Movie, Edward Hopper (1882-1967) -- Self-Portrait with Cropped Hair, Frida Kahlo (1907-1954) -- Head VI, Francis Bacon (1909-1992) -- Black on Maroon, Mark Rothko (1903-1970) -- Big Electric Chair, Andy Warhol (1928-1987) -- Infinity Mirror Room - Phalli's Field, Yayoi Kusama (b. 1929) -- The Pack, Joseph Beuys (1921-1986) -- Spiral Jetty, Robert Smithson (1938-1973) -- Osiris and Isis, Anselm Kiefer (b. 1945) -- Untitled (I shop therefore I am), Barbara Kruger (b. 1945) -- A Book from the Sky, Xu Bing (b. 1955) -- The Messenger, Bill Viola (b. 1951) -- Maman, Louise Bourgeois (1911-2010) -- Correspondence, Lee Ufan (b. 1936) -- Untitled, Doris Salcedo (b. 1958)
000859215 5208_ $$aAs artists push further and further beyond their, and our, comfort zones, this book aims to help decipher the bizarre and often intimidating aspects of modern and contemporary art by exploring twenty works of art in terms of seven "keys". History, biography, aesthetics, experience, theory, criticism and the market represent conventional `modes of existence' for every artwork discussed, but in a fascinating variety of ways. Simon Morley shows how twenty well-known but little-understood works of art can serve as useful springboards not only for understanding each other, but also for appreciating works by the same artists, and from the wider world of art in general. Rather than proceeding on the basis of familiar art "movements" or "-isms", Morley focuses on just twenty individual works of art, from Matisse's The Red Studio to Doris Salcedo's Untitled. Representing a variety of media, styles, subjects and intentions, being the creations of men and women of different periods and places, coming from disparate social and ethnic backgrounds, these works show a rich diversity in modern and contemporary art.
000859215 650_0 $$aArt, Modern$$y21st century$$xAppreciation.
000859215 85200 $$bgen$$hN6490$$i.M679$$i2019
000859215 909CO $$ooai:library.usi.edu:859215$$pGLOBAL_SET
000859215 980__ $$aBIB
000859215 980__ $$aBOOK