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000859221 010__ $$a  2017038503
000859221 020__ $$a9781138998513$$q(paperback)
000859221 020__ $$a1138998516$$q(paperback)
000859221 020__ $$a9781138998490$$q(hardcover)
000859221 020__ $$a1138998494$$q(hardcover)
000859221 020__ $$z9781315658643$$q(electronic book)
000859221 020__ $$z9781317331667$$q(electronic book)
000859221 020__ $$z9781317331674$$q(electronic book)
000859221 035__ $$a(OCoLC)on1004848951
000859221 035__ $$a859221
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000859221 042__ $$apcc
000859221 043__ $$an-us---
000859221 049__ $$aISEA
000859221 05000 $$aHE8700.66.U6$$bF76 2018
000859221 08200 $$a302.23/45$$223
000859221 24500 $$aFrom networks to Netflix :$$ba guide to changing channels /$$cedited by Derek Johnson.
000859221 264_1 $$aNew York, NY :$$bRoutledge,$$c2018.
000859221 300__ $$ax, 430 pages ;$$c26 cm
000859221 336__ $$atext$$btxt$$2rdacontent
000859221 337__ $$aunmediated$$bn$$2rdamedia
000859221 338__ $$avolume$$bnc$$2rdacarrier
000859221 504__ $$aIncludes bibliographical references and index.
000859221 50500 $$gIntroduction --$$tPop: Television guides and recommendations in a changing channel landscape /$$rDerek Johnson --$$gBroadcast stations and networks --$$tABC: Crisis, risk, and the logics of change /$$rKristen J. Warner --$$tThe CW: Media conglomerates in partnership /$$rCaryn Murphy --$$tRede Globo: Global expansions and cross-media extensions in the digital era /$$rCourtney Brannon Donoghue --$$tPBS: Crowdsourcing culture since 1969 /$$rMichele Hilmes --$$tAlabama Public Television Network: Local stations and struggles over collective identity /$$rAllison Perlman --$$tDR: License fees, platform neutrality, and public service obligation /$$rHanne Bruun --$$tMeTV: Old-Time TV's last stand? /$$rDerek Kompare --$$gCable and satellite services --$$tWGN America: From Chicago to cable's very own /$$rChristine Becker --$$tESPN: Live sports, documentary prestige, and on-demand culture /$$rTravis Vogan --$$tNBC Sports Network: Building elite audiences from broadcast rights /$$rDeborah L. Jaramillo --$$tThe Weather Channel: Genre, trust, and unscripted television in an age of apps /$$rJon Kraszewski --$$tTLC: Food, fatness, and spectacular relatability /$$rMelissa Zimdars --$$tMTV: #Prosocial television /$$rLaurie Ouellette --$$tA & E: From art to vice in the managed channel portfolio /$$rDavid Craig and Derek Johnson --$$tSpike TV: The impossibility of television for men /$$rAmanda D. Lotz --$$tComedy Central: Transgressive femininities and reaffirmed masculinities /$$rNick Marx --$$tNick Jr.: Co-viewing and the limits of dayparts /$$rErin Copple Smith --$$tDisney Junior: Imagining industrial intertextuality /$$rKyra Hunting and Jonathan Gray --$$tDisney XD: Boyhood and the racial politics of market segmentation /$$rChristopher Chávez --$$tFreeform: Shaking off the family brand within a conglomerate family /$$rBarbara Selznick --$$tEl Rey: Latino Indie auteur as channel identity /$$rAlisa Perren --$$gStreaming channels --$$tAwesomenessTV: Talent management and merchandising on multi-channel networks /$$rAvi Santo --$$tISAtv: YouTube and the branding of Asian America /$$rLori Kido Lopez --$$tEast India Comedy: Channeling the public sphere in online satire /$$rSubin Paul --$$tTwitter: Channels in the stream /$$rJames Bennett and Niki Strange --$$tTwitch.tv: Tele-visualizing the arcade /$$rMatthew Thomas Payne --$$tBBC Three: Youth television and platform neutral public service broadcasting /$$rFaye Woods --$$tOpen TV: The development process /$$rAymar Jean Christian --$$gPremium Television --$$tNetflix: Streaming channel brands as global meaning systems /$$rTimothy Havens --$$tHulu: Geoblocking national TV in an on-demand era /$$rEvan Elkins --$$tiQiyi: China's Internet tigers take television /$$rMichael Curtin and Yongli Li --$$tAmazon Prime Video: Where information is entertainment /$$rKaren Petruska --$$tPlayboy TV: Contradictions, confusion, and post-network pornography /$$rPeter Alilunas --$$tStarz: Distinction, value, and fandom in non-linear premium TV /$$rMyles McNutt --$$tWWE Network: The disruption of over-the-top distribution /$$rCory Barker and Andrew Zolides --$$tCBS All Access: To boldly franchise where no one has subscribed before /$$rDerek Johnson.
000859221 520__ $$a"Even as the television industry experiences significant transformation and disruption in the face of streaming and online delivery, the television channel itself persists. If anything, the television channel landscape has become more complex to navigate as viewers can now choose between broadcast, cable, streaming, and premium services across a host of different platforms and devices. From Networks to Netflix provides an authoritative answer to that navigational need, helping students, instructors, and scholars understand these industrial changes through the lens of the channel. Through examination of emerging services like Hulu and Amazon Prime Video, investigation of YouTube channels and cable outlets like Freeform and Comedy Central, and critiques of broadcast giants like ABC and PBS, this book offers a concrete, tangible means of exploring the foundations of a changing industry."--Provided by publisher.
000859221 650_0 $$aTelevision viewers$$xEffect of technological innovations on.
000859221 650_0 $$aTelevision broadcasting$$xTechnological innovations$$zUnited States.
000859221 650_0 $$aStreaming technology (Telecommunications)
000859221 7001_ $$aJohnson, Derek,$$d1979-$$eeditor.
000859221 85200 $$bgen$$hHE8700.66.U6$$iF76$$i2018
000859221 909CO $$ooai:library.usi.edu:859221$$pGLOBAL_SET
000859221 980__ $$aBIB
000859221 980__ $$aBOOK