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Introduction: An architecture of social being
The spatial constitution of 1930s documentary
René Clair's city views: realism and Studio Paris
Intertext and political margins in Jean Renoir's Boudu Sauvé des Eaux
Traversing built history in architectural documentaries
Flâneuses and the unmaking of place
The crowd as new monumentality during the popular front
Epilogue: Poetic realism as spatial fable.

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