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Introduction / Moshe Gold and Sandor Goodhart
A meditation / Richard A. Cohen
Lear's "darker purpose" / Sandor Goodhart
Girard and Levinas as readers of King Lear / Ann W. Astell
Theology, phenomenology, and the divine in King Lear / Kent R. Lehnhof
Investment, return, alterity, and The merchant of Venice / Geoffrey Baker
Traces, faces, and ghosts / Hilaire Kallendorf and Claire Katz
From Horror to Solitude to Maternity / Steven Shankman
The frustration of desire and the weakness of power in Venus and Adonis / Sean Lawrence
Ethical ambiguity of the maternal in Shakespeare's first romances / Donald R. Wehrs
Culinary skepticism in As you like it and Montaigne's "Of Experience" / David B. Goldstein
Staging humanity in As you like it and Pirkei Avot / Moshe Gold.

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