000865965 000__ 03423cam\a2200517Ii\4500 000865965 001__ 865965 000865965 005__ 20230306145804.0 000865965 006__ m\\\\\o\\d\\\\\\\\ 000865965 007__ cr\cn\nnnunnun 000865965 008__ 181016s2018\\\\sz\a\\\\ob\\\\001\0\eng\d 000865965 019__ $$a1057377508 000865965 020__ $$a9783319952222$$q(electronic book) 000865965 020__ $$a3319952226$$q(electronic book) 000865965 020__ $$z9783319952215 000865965 020__ $$z3319952218 000865965 035__ $$aSP(OCoLC)on1057018525 000865965 035__ $$aSP(OCoLC)1057018525$$z(OCoLC)1057377508 000865965 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dEBLCP$$dOCLCF$$dYDX$$dOCLCQ$$dOCLCO$$dOUP$$dOCL$$dVLB$$dAU@$$dGW5XE 000865965 049__ $$aISEA 000865965 050_4 $$aML80.S5 000865965 08204 $$a822.33$$223 000865965 1001_ $$aTaylor, Millie,$$eauthor. 000865965 24510 $$aTheatre music and sound at the RSC :$$bMacbeth to Matilda /$$cMillie Taylor. 000865965 2463_ $$aTheatre music and sound at the Royal Shakespeare Company 000865965 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2018. 000865965 264_4 $$c©2018 000865965 300__ $$a1 online resource. 000865965 336__ $$atext$$btxt$$2rdacontent 000865965 337__ $$acomputer$$bc$$2rdamedia 000865965 338__ $$aonline resource$$bcr$$2rdacarrier 000865965 4901_ $$aPalgrave Studies in British Musical Theatre 000865965 504__ $$aIncludes bibliographical references and index. 000865965 5050_ $$aIntro; Foreword; Acknowledgements; Contents; List of Figures; Prologue; Musical Collaborations at the RSC; Music Management: A Timeline; Freelance and Staff Composers; The Band; The Economics of Music Performance; Musical Spaces; The Science of Flow; Conclusion; Collaborative Composition at the RSC; The Production Timeline; The Writing Process; Collaborative Composers; Composing Theatre Music; Two Gentlemen of Verona; Macbeth; Macbeth 1962; Macbeth 1967; Macbeth 1976; Macbeth 1986; Macbeth 1999; Macbeth 2011; Conclusion; Electronics, Sound and Fury at the RSC; The Kit; The Operators. 000865965 5058_ $$aThe DesignersA Midsummer Night's Dream (1994); Conclusion; Theatre Music at the RSC; Exploring the Context of Theatre and Film Music Studies; Creating Atmosphere; Atmospheric Music: Some Examples; Signifying Context; Contextual Music: Some Examples; Supporting the Director's Concept; Conceptual Music: Some Examples; Contributing to the Diegesis; Diegetic Music: Some Examples; Creating a Sense of Theatricality in Music; Theatricality in Music: Some Examples; Conclusion; From Macbeth to Matilda at the RSC; Vocal Training and Musicality; The Aesthetics of Voice and Song; The Functions of Song. 000865965 5058_ $$aPerforming Verse and SongMoving into Musicals; Les Misérables (1985); Matilda (2010); Conclusion; Epilogue; Bibliography; Audio-Visual and Sound Recordings; Archival References and Online Reviews; Interviews and Emails; Index. 000865965 506__ $$aAccess limited to authorized users. 000865965 588__ $$aOnline resource; title from PDF title page (viewed October 17, 2018). 000865965 60010 $$aShakespeare, William,$$d1564-1616$$xKnowledge$$xMusic. 000865965 61020 $$aRoyal Shakespeare Company. 000865965 650_0 $$aMusic$$y16th century$$xHistory and criticism. 000865965 77608 $$iPrint version:$$aTaylor, Millie.$$tTheatre music and sound at the RSC.$$dCham, Switzerland : Palgrave Macmillan, 2018$$z3319952218$$z9783319952215$$w(OCoLC)1039328135 000865965 830_0 $$aPalgrave studies in British musical theatre. 000865965 852__ $$bebk 000865965 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-95222-2$$zOnline Access$$91397441.1 000865965 909CO $$ooai:library.usi.edu:865965$$pGLOBAL_SET 000865965 980__ $$aEBOOK 000865965 980__ $$aBIB 000865965 982__ $$aEbook 000865965 983__ $$aOnline 000865965 994__ $$a92$$bISE