000866384 000__ 04596cam\a2200541Ii\4500 000866384 001__ 866384 000866384 005__ 20230306145708.0 000866384 006__ m\\\\\o\\d\\\\\\\\ 000866384 007__ cr\cn\nnnunnun 000866384 008__ 190329s2019\\\\sz\\\\\\ob\\\\001\0\eng\d 000866384 019__ $$a1091002553 000866384 020__ $$a9783030121884$$q(electronic book) 000866384 020__ $$a3030121887$$q(electronic book) 000866384 020__ $$z9783030121877 000866384 020__ $$z3030121879 000866384 035__ $$aSP(OCoLC)on1090812960 000866384 035__ $$aSP(OCoLC)1090812960$$z(OCoLC)1091002553 000866384 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dGW5XE$$dEBLCP$$dYDX 000866384 049__ $$aISEA 000866384 050_4 $$aPN2277.N5 000866384 08204 $$a792.09747/1$$223 000866384 1001_ $$aBurrell, Julie,$$eauthor. 000866384 24514 $$aThe civil rights theatre movement in New York, 1939-1966 :$$bstaging freedom /$$cJulie Burrell. 000866384 24630 $$aStaging freedom 000866384 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2019. 000866384 300__ $$a1 online resource. 000866384 336__ $$atext$$btxt$$2rdacontent 000866384 337__ $$acomputer$$bc$$2rdamedia 000866384 338__ $$aonline resource$$bcr$$2rdacarrier 000866384 4901_ $$aPalgrave studies in theatre and performance history 000866384 504__ $$aIncludes bibliographical references and index. 000866384 5050_ $$aIntro; Acknowledgements; Contents; About the Author; Abbreviations; Chapter 1 Introduction; The Black Popular Front; Cold War-Civil Rights; Black Power Feminism; Overview; Bibliography; Chapter 2 The Negro People's Theatre and the Emergence of the Civil Rights Theatre Movement; The Negro People's Theatre and the Proletarian Turn; The Negro Playwrights Company and Big White Fog; The Broadway Production of Native Son; The American Negro Theatre and Natural Man; Bibliography; Chapter 3 "An American Dilemma": Dramas of the Returning Negro Soldier 000866384 5058_ $$aThe "Returning Negro Soldier Drama" as Race-Liberal TextsDeep Are the Roots and the Returning Negro Soldier; Jeb Returns to Dixie; The Negro Soldier and Northern Housing; Bibliography; Chapter 4 Rescripting the Negro Problem: The Cold War-Civil Rights Play; Black Feminism in the Cold War-Civil Rights Play; Ossie Davis's Alice in Wonder at the Elks Community Theatre; William Branch's A Medal for Willie and the Committee for the Negro in the Arts; Alice Childress's Trouble in Mind at the Greenwich Mews; Bibliography 000866384 5058_ $$aChapter 5 "To Be a Man": Progressive Masculinities in Lorraine Hansberry's Cold War-Civil Rights PlaysA Raisin in the Sun and Progressive Black Masculinity in the Civil Rights Movement; Les Blancs and the New Paternalism; Bibliography; Chapter 6 Alice Childress's Wedding Band and the Black Feminist Nation; Wedding Band: A Love/Hate Story in Black and White; Kinship in Wedding Band: A Love Story in Black; Confronting Racism: A Love/Hate Story in Black and White; Julia and Nelson on the Frontlines; Bibliography; Chapter 7 Epilogue; Bibliography; Index 000866384 506__ $$aAccess limited to authorized users. 000866384 520__ $$aThis book argues that African American theatre in the twentieth century represented a cultural front of the civil rights movement. Highlighting the frequently ignored decades of the 1940s and 1950s, Burrell documents a radical cohort of theatre artists who became critical players in the fight for civil rights both onstage and offstage, between the Popular Front and the Black Arts Movement periods. The Civil Rights Theatre Movement recovers knowledge of little-known groups like the Negro Playwrights Company and reconsiders Broadway hits including Lorraine Hansberry’s A Raisin in the Sun, showing how theatre artists staged radically innovative performances that protested Jim Crow and U.S. imperialism amidst a repressive Cold War atmosphere. By conceiving of class and gender as intertwining aspects of racism, this book reveals how civil rights theatre artists challenged audiences to reimagine the fundamental character of American democracy. 000866384 588__ $$aOnline resource; title from PDF title page (viewed April 1, 2019). 000866384 650_0 $$aTheater$$zNew York (State)$$zNew York$$xHistory$$y20th century. 000866384 650_0 $$aAfrican American theater$$xHistory$$y20th century. 000866384 650_0 $$aAfrican Americans$$xCivil rights$$xHistory. 000866384 650_0 $$aCivil rights$$zUnited States$$xHistory. 000866384 650_0 $$aCivil rights movements$$zUnited States$$xHistory$$y20th century. 000866384 77608 $$iPrint version: $$z3030121879$$z9783030121877$$w(OCoLC)1080428983 000866384 830_0 $$aPalgrave studies in theatre and performance history. 000866384 852__ $$bebk 000866384 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-12188-4$$zOnline Access$$91397441.1 000866384 909CO $$ooai:library.usi.edu:866384$$pGLOBAL_SET 000866384 980__ $$aEBOOK 000866384 980__ $$aBIB 000866384 982__ $$aEbook 000866384 983__ $$aOnline 000866384 994__ $$a92$$bISE