000867192 000__ 03463cam\a2200421\i\4500 000867192 001__ 867192 000867192 005__ 20210515163039.0 000867192 008__ 180516s2019\\\\nyua\\\\\b\\\\001\0\eng\\ 000867192 010__ $$a 2018021508 000867192 019__ $$a1031951880$$a1031951917 000867192 020__ $$a9781479804948$$q(paperback) 000867192 020__ $$a1479804940$$q(paperback) 000867192 020__ $$a9781479841516$$q(hardcover) 000867192 020__ $$a147984151X$$q(hardcover) 000867192 035__ $$a(OCoLC)on1038039483 000867192 035__ $$a867192 000867192 040__ $$aDLC$$beng$$erda$$cDLC$$dOCLCF$$dYDX$$dCHVBK$$dOCLCO$$dBDX$$dERASA$$dYUS$$dZWZ$$dUKMGB$$dU3W$$dNJB 000867192 042__ $$apcc 000867192 049__ $$aISEA 000867192 05000 $$aHD9697.V544$$bN48495 2019 000867192 08200 $$a384.55/502854678$$223 000867192 1001_ $$aLobato, Ramon,$$eauthor. 000867192 24510 $$aNetflix nations :$$bthe geography of digital distribution /$$cRamon Lobato. 000867192 264_1 $$aNew York :$$bNew York University Press,$$c[2019] 000867192 300__ $$axii, 235 pages ;$$c21 cm. 000867192 336__ $$atext$$btxt$$2rdacontent 000867192 337__ $$aunmediated$$bn$$2rdamedia 000867192 338__ $$avolume$$bnc$$2rdacarrier 000867192 4901_ $$aCritical cultural communication 000867192 504__ $$aIncludes bibliographical references and index. 000867192 5050_ $$aIntroduction -- What is Netflix? -- Transnational television: from broadcast to broadband -- The infrastructures of streaming -- Making global markets -- Content, catalogs, and cultural imperialism -- The proxy wars -- Conclusions. 000867192 5208_ $$aHow streaming services and internet distribution have transformed global television culture. Television, once a broadcast medium, now also travels through our telephone lines, fiber optic cables, and wireless networks. It is delivered to viewers via apps, screens large and small, and media players of all kinds. In this unfamiliar environment, new global giants of television distribution are emerging-including Netflix, the world's largest subscription video-on-demand service. Combining media industry analysis with cultural theory, Ramon Lobato explores the political and policy tensions at the heart of the digital distribution revolution, tracing their longer history through our evolving understanding of media globalization. Netflix Nations considers the ways that subscription video-on-demand services, but most of all Netflix, have irrevocably changed the circulation of media content. It tells the story of how a global video portal interacts with national audiences, markets, and institutions, and what this means for how we understand global media in the internet age. Netflix Nations addresses a fundamental tension in the digital media landscape - the clash between the internet's capacity for global distribution and the territorial nature of media trade, taste, and regulation. The book also explores the failures and frictions of video-on-demand as experienced by audiences. The actual experience of using video platforms is full of subtle reminders of market boundaries and exclusions: platforms are geo-blocked for out-of-region users ("this video is not available in your region"); catalogs shrink and expand from country to country; prices appear in different currencies; and subtitles and captions are not available in local languages. These conditions offer rich insight for understanding the actual geographies of digital media distribution. 000867192 61020 $$aNetflix (Firm) 000867192 650_0 $$aVideo-on-demand. 000867192 650_0 $$aStreaming video. 000867192 650_0 $$aTelevision broadcasting. 000867192 650_0 $$aInternational broadcasting. 000867192 830_0 $$aCritical cultural communication. 000867192 85200 $$bgen$$hHD9697.V544$$iN48495$$i2019 000867192 909CO $$ooai:library.usi.edu:867192$$pGLOBAL_SET 000867192 980__ $$aBIB 000867192 980__ $$aBOOK