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000867602 020__ $$a9781487519780$$q(electronic book)
000867602 020__ $$a1487519788$$q(electronic book)
000867602 020__ $$z9781487504267
000867602 020__ $$z1487504268
000867602 035__ $$a(NhCcYBP)EBC5743872
000867602 040__ $$aNhCcYBP$$cNhCcYBP
000867602 050_4 $$aPR6045.O72$$bC54 2019
000867602 08204 $$a823/.912$$223
000867602 1001_ $$aClements, Elicia,$$d1970-$$eauthor.
000867602 24510 $$aVirginia Woolf :$$bmusic, sound, language /$$cElicia Clements.
000867602 264_1 $$aToronto ;$$aBuffalo ;$$aLondon :$$bUniversity of Toronto Press,$$c[2019]
000867602 300__ $$a1 online resource.
000867602 336__ $$atext$$btxt$$2rdacontent
000867602 337__ $$acomputer$$bc$$2rdamedia
000867602 338__ $$aonline resource$$bcr$$2rdacarrier
000867602 504__ $$aIncludes bibliographical references and index.
000867602 5050_ $$aCover; Contents; Acknowledgments; Abbreviations; Introduction; I Woolf's Musical Ear; II Interdisciplinary Methods; III "Hoity te, hoity te, hoity te ...": Tripartite Woolf; Part 1 An Emerging Earcon: Woolf's Singers; 1 Finding a Voice; I Resonant Beginnings: The Voyage Out; II Sonic Networks in Jacob's Room; III Urban and Rural Interrelations in Mrs. Dalloway and To the Lighthouse; 2 The Earcon Reproduces; I "And what is a cry?": The Waves; II Integrating the Earcon in The Years; III Aural Multiplicity in Between the Acts; Part 2 Profound Listening and Acousmatics; 3 Initial Apperceptions
000867602 5058_ $$aI Materialized Sonics and Listening Subjects in The Voyage OutII Involuntary, Yet Profound, Listening in Night and Day; III International Acousmatics: War and Its Veterans in Jacob's Room and Mrs. Dalloway; 4 Bodies and Voices; I To the Lighthouse and Family Acousmatics; II The Gender of Listening in The Waves; III "Hush! ... Somebody's listening": The Years; IV Heterogeneous Reattachments in Between the Acts; Part 3 Music as Performance in Woolf's Fiction; 5 Performing Women; I Women at the Piano in the First Three Novels; II Performing Personal History in The Years
000867602 5058_ $$aIII Historical Reenactments: Between the Acts6 The Performativity of Language: The Waves Musicalized; I Word Music: "(The rhythm is the main thing in writing)"; II The Case of Ludwig van Beethoven; III Transforming Beethoven's Opus 130 and 133 into Words; Coda: A Meditation on Rhythm; Notes; Works Cited; Index
000867602 506__ $$aAccess limited to authorized users
000867602 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
000867602 588__ $$aOnline resource; title from PDF title page (viewed April 9, 2019).
000867602 588__ $$aDescription based on print version record.
000867602 60010 $$aWoolf, Virginia,$$d1882-1941$$xKnowledge$$xMusic.
000867602 60010 $$aWoolf, Virginia,$$d1882-1941$$xCriticism and interpretation.
000867602 60010 $$aWoolf, Virginia,$$d1882-1941$$xAesthetics.
000867602 650_0 $$aMusic and literature$$xHistory$$y20th century.
000867602 650_0 $$aMusic in literature.
000867602 650_0 $$aSound in literature.
000867602 7102_ $$aProQuest (Firm)
000867602 77608 $$iPrint version:$$aClements, Elicia, 1970-$$tVirginia Woolf.$$dToronto ; Buffalo ; London : University of Toronto Press, 2019$$z9781487504267
000867602 852__ $$bebk
000867602 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=5743872$$zOnline Access
000867602 909CO $$ooai:library.usi.edu:867602$$pGLOBAL_SET
000867602 980__ $$aEBOOK
000867602 980__ $$aBIB
000867602 982__ $$aEbook
000867602 983__ $$aOnline