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000867884 019__ $$a1054217407
000867884 020__ $$a9783319991726$$q(electronic book)
000867884 020__ $$a3319991728$$q(electronic book)
000867884 020__ $$z9783319991719
000867884 020__ $$z331999171X
000867884 035__ $$aSP(OCoLC)on1053888161
000867884 035__ $$aSP(OCoLC)1053888161$$z(OCoLC)1054217407
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000867884 049__ $$aISEA
000867884 050_4 $$aBL65.C8$$bC73 2018
000867884 08204 $$a201/.7$$223
000867884 1001_ $$aCrawford, Ashley,$$eauthor.
000867884 24510 $$aReligious imaging in millennialist America :$$bdark gnosis /$$cAshley Crawford.
000867884 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2018]
000867884 300__ $$a1 online resource
000867884 336__ $$atext$$btxt$$2rdacontent
000867884 337__ $$acomputer$$bc$$2rdamedia
000867884 338__ $$aonline resource$$bcr$$2rdacarrier
000867884 504__ $$aIncludes bibliographical references and index.
000867884 5050_ $$aChapter 1: Introduction: American Gnosis -- Chapter 2. Delirium: A brief history of America’s religious founding(s).-Chapter 3: Dualism: An exploration of good and evil via David Lynch’s films.-Chapter 4 Delusion: On Mormon and Masonic symbolism in Matthew Barney’s CREMASTER films -- Chapter 5: Deconstruction: On Judaic law and the apocalypse of language in Ben Marcus’ The Flame Alphabet -- Chapter 6: Dereliction and Defecation: On the religious underpinnings in Matthew Barney’s Subliming Vessel and Ben Marcus’ Leaving the Sea and the apocalyptic imaging of Matthew Barney’s River of Fundament -- Chapter 7. Dark Gnosis.
000867884 506__ $$aAccess limited to authorized users.
000867884 520__ $$aAshley Crawford investigates how such figures as Ben Marcus, Matthew Barney, and David Lynch--among other artists, novelists, and film directors--utilize religious themes and images via Christianity, Judaism, and Mormonism to form essentially mutated variations of mainstream belief systems. He seeks to determine what drives contemporary artists to deliver implicitly religious imagery within a 'secular' context. Particularly, how religious heritage and language, and the mutations within those, have impacted American culture to partake in an aesthetic of apocalyptism that underwrites it.
000867884 588__ $$aOnline resource; title from digital title page (viewed on October 08, 2018).
000867884 650_0 $$aReligion and culture.
000867884 650_0 $$aReligion$$xSocial aspects.
000867884 650_0 $$aImagery (Psychology)
000867884 650_0 $$aReligion and the social sciences.
000867884 77608 $$iPrint version:$$aCrawford, Ashley.$$tReligious imaging in millennialist America.$$dCham, Switzerland : Palgrave Macmillan, [2018]$$z331999171X$$z9783319991719$$w(OCoLC)1044979801
000867884 852__ $$bebk
000867884 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-99172-6$$zOnline Access$$91397441.1
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000867884 980__ $$aEBOOK
000867884 980__ $$aBIB
000867884 982__ $$aEbook
000867884 983__ $$aOnline
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