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000867892 019__ $$a1080630764
000867892 020__ $$a9783319933788$$q(electronic book)
000867892 020__ $$a3319933787$$q(electronic book)
000867892 020__ $$z9783319933771
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000867892 035__ $$aSP(OCoLC)on1057472126
000867892 035__ $$aSP(OCoLC)1057472126$$z(OCoLC)1080630764
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000867892 050_4 $$aN8217.H78$$bZ83 2018
000867892 050_4 $$aNX552
000867892 08204 $$a701.03$$223
000867892 08204 $$a709.945$$223
000867892 1001_ $$aZucconi, Francesco,$$eauthor.
000867892 24510 $$aDisplacing Caravaggio :$$bArt, media, and humanitarian visual culture /$$cFrancesco Zucconi ; translated by Zakiya Hanafi.
000867892 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2018]
000867892 300__ $$a1 online resource (345 pages)
000867892 336__ $$atext$$btxt$$2rdacontent
000867892 337__ $$acomputer$$bc$$2rdamedia
000867892 338__ $$aonline resource$$bcr$$2rdacarrier
000867892 500__ $$aTranslated from the Italian.
000867892 504__ $$aIncludes bibliographical references and index.
000867892 5050_ $$a1. Introduction -- 2. Humanitarian Archeology -- 3. Unstill Life -- 4. Pathos, Survival, and “Quasi Immanence” -- 5. On the Limits of the Virtual Humanitarian Experience -- 6. Caravaggio on Lampedusa -- 7. On Displacing.
000867892 506__ $$aAccess limited to authorized users.
000867892 5208_ $$aThis book takes its start from a series of attempts to use Caravaggio's works for contemporary humanitarian communications. How did his Sleeping Cupid (1608) end up on the island of Lampedusa, at the heart of the Mediterranean migrant crisis? And why was his painting The Seven Works of Mercy (1607) requested for display at several humanitarian public events? After critical reflection on these significant transfers of Caravaggio's work, Francesco Zucconi takes Baroque art as a point of departure to guide readers through some of the most haunting and compelling images of our time. Each chapter analyzes a different form of media and explores a problem that ties together art history and humanitarian communications: from Caravaggio's attempt to represent life itself as a subject of painting to the way bodies and emotions are presented in NGO campaigns. What emerges from this probing and insightful inquiry at the intersection of art theory, media studies and political philosophy is an original critical path in humanitarian visual culture.
000867892 588__ $$aDescription based on online resource; title from digital title page (viewed on December 19, 2018).
000867892 60010 $$aCaravaggio, Michelangelo Merisi da,$$d1573-1610.$$tSeven acts of mercy.
000867892 650_0 $$aHumanism in art.
000867892 650_0 $$aHuman beings in art.
000867892 7001_ $$aHanafi, Zakiya,$$d1959-$$etranslator.
000867892 77608 $$iPrint version:$$aZucconi, Francesco.$$tDisplacing Caravaggio. Art, media, and humanitarian visual culture.$$dCham : Springer International Publishing 2018$$z9783319933771$$w(OCoLC)1048335303
000867892 852__ $$bebk
000867892 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-93378-8$$zOnline Access$$91397441.1
000867892 909CO $$ooai:library.usi.edu:867892$$pGLOBAL_SET
000867892 980__ $$aEBOOK
000867892 980__ $$aBIB
000867892 982__ $$aEbook
000867892 983__ $$aOnline
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