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000867893 019__ $$a1059258162
000867893 020__ $$a9783319964577$$q(electronic book)
000867893 020__ $$a3319964577$$q(electronic book)
000867893 020__ $$z9783319964560
000867893 020__ $$z3319964569
000867893 035__ $$aSP(OCoLC)on1057550235
000867893 035__ $$aSP(OCoLC)1057550235$$z(OCoLC)1059258162
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000867893 049__ $$aISEA
000867893 050_4 $$aPN1995
000867893 08204 $$a791.4301$$223
000867893 24500 $$aLocating classical receptions on screen :$$bmasks, echoes, shadows /$$ceditors, Ricardo Apostol and Anastasia Bakogianni.
000867893 264_1 $$aCham :$$bPalgrave Macmillan,$$c2018.
000867893 300__ $$a1 online resource
000867893 336__ $$atext$$btxt$$2rdacontent
000867893 337__ $$acomputer$$bc$$2rdamedia
000867893 338__ $$aonline resource$$bcr$$2rdacarrier
000867893 504__ $$aIncludes bibliographical references and index.
000867893 5050_ $$aIntro; Acknowledgements; Contents; Notes on Contributors; List of Figures; Chapter 1: Introduction: Face to Face-Locating Classical Receptions on Screen; Unmasking Cinematic and Television Receptions; Part I: Beyond Fidelity; Chapter 2: Indirect or Masked Modysseys? Establishing a Working Set of Criteria; Characteristics of a Modyssey; Dishonorable or Morally Ambiguous War/Conflict; An Unwilling and/or Unconventional Heros; An Extended Nostos, Even Confinement; Sea Monsters Are Optional but Water Is Very Common; Women Play a Prominent Role in the Narrative.
000867893 5058_ $$aSocial and/or Political Change at HomePhysical and/or Emotional Changes in the Hero; Estranged or Altered Family; Re-integration of/to the Oikos and/or Gamos; Some Overt Modysseys; Modysseys Implied by Book Placement; Masked Odysseys; Chapter 3: Sacrificial Shadows: Tragic Greek Heroines Reinvented for Television in Buffy the Vampire Slayer and Game of Thrones; The Gift of War: Iphigenia and Shireen; The Gift of Life: Buffy and Alcestis; Conclusion; Part II: Beyond Influence; Chapter 4: Statues, Synths, and Simulacra: The Ovidian Contours of Screen Pygmalions; When Worlds Collide.
000867893 5058_ $$aPygmalion As a Hybrid HeroA Sequence of Simulacra; Moving into the Realm of the Possible; Pygmalion and the Bigger Picture; Chapter 5: Artefacts, Authenticity, and Digital Idols: The Classical After-Image in Contemporary Hollywood Stardom; 'The Echo of Another Day': Classic Stardom, Cinema, and the Past; Invisible Patina: The Mask of Alexander; Past Echoes, Present Resonances, and Future Relics: The 'McConaissance'; Conclusion; Part III: Beyond Original; Chapter 6: From Album Alitem to Black Swan: Horace and Aronofsky on Poetic Perfection and Death; Receiving, Interpreting, Handing Over.
000867893 5058_ $$aThe Comparative Comparative MaterialWeird Wings; Weird Whys; Weird Wheres; Aronofsky's Album Alitem; Chapter 7: Shades of Ajax: In Search of the Tragic Hero in Modern War Movies; From 'Direct' to 'Masked' Receptions; Shades of Heroism; Did Ajax Suffer from PTSD?53; Conclusion; Filmography; Feature Films; Television Series; Bibliography; Online Resources; Index.
000867893 506__ $$aAccess limited to authorized users.
000867893 520__ $$aThis volume explores film and television sources in problematic conversation with classical antiquity, to better understand the nature of artistic reception and classical reception in particular. Drawing inspiration from well-theorized fields like adaptation studies, comparative literature, and film, the essays in this collection raise questions fundamental to the future of reception studies. The first section, ?Beyond Fidelity?, deals with idiosyncratic adaptations of ancient sources; the second section, ?Beyond Influence?, discusses modern works purporting to adapt ancient figures or themes that are less straightforwardly ancient than they may at first appear; while the last section, ?Beyond Original?, uses films that lack even these murky connections to antiquity to challenge the notion that studying reception requires establishing historical connections between works. As questions of audience, interpretation, and subjectivity are central to most contemporary fields of study, this is a collection that is of interest to a wide variety of readers in the humanities.
000867893 588__ $$aOnline resource; title from PDF title page (viewed October 24, 2018).
000867893 650_0 $$aFilm criticism.
000867893 650_0 $$aClassical antiquities.
000867893 7001_ $$aApostol, Ricardo,$$eeditor.
000867893 7001_ $$aBakogianni, Anastasia,$$eauthor.
000867893 77608 $$iPrint version:$$tLocating classical receptions on screen.$$dCham : Palgrave Macmillan, 2018$$z3319964569$$z9783319964560$$w(OCoLC)1041498518
000867893 852__ $$bebk
000867893 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-96457-7$$zOnline Access$$91397441.1
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000867893 980__ $$aEBOOK
000867893 980__ $$aBIB
000867893 982__ $$aEbook
000867893 983__ $$aOnline
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