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000867898 020__ $$a9783319967677$$q(electronic book)
000867898 020__ $$a3319967673$$q(electronic book)
000867898 020__ $$z9783319967660
000867898 035__ $$aSP(OCoLC)on1076485526
000867898 035__ $$aSP(OCoLC)1076485526
000867898 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dEBLCP$$dUKMGB$$dYDX$$dYDXIT$$dOCLCF$$dBRX$$dCDN$$dGW5XE$$dUKAHL
000867898 049__ $$aISEA
000867898 050_4 $$aP96.D62$$bC75 2018
000867898 08204 $$a070.1$$223
000867898 24500 $$aCritical distance in documentary media /$$ceditors, Gerda Cammaer, Blake Fitzpatrick and Bruno Lessard.
000867898 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2018]
000867898 300__ $$a1 online resource (xvii, 336 pages) :$$billustrations
000867898 336__ $$atext$$btxt$$2rdacontent
000867898 337__ $$acomputer$$bc$$2rdamedia
000867898 338__ $$aonline resource$$bcr$$2rdacarrier
000867898 504__ $$aIncludes bibliographical references and index.
000867898 5050_ $$aIntro; Acknowledgements; Contents; Notes on Contributors; List of Figures; Introduction: Critically Distant; The Possible Futures of Documentary Studies; Critical Humanism and Posthumanist Distance; What Is Critical About Distance?; Bibliography; Indexicality in the Age of the Sensor and Metadata; Indexicality and the Documentary Agenda; The "Post-photographic" Era; The Camera and Other Sensors; Metadata and Big Data; Software and Data Practice; Metadata and Images; Verification Protocols; Bibliography; Shot in the Dark: Nocturnal Philosophy and Night Photography
000867898 5058_ $$aReducing Distance, Embracing NightNight Vision: Photographing in the Dark; Conclusion; Bibliography; Approaches to Xianchang: Documenting the Real in Post-socialist China; The "Peasant" in Twentieth-Century China; A Documentary Approach Over the Turn of the Twenty-First Century; Xianchang in Documentary Film; Xianchang in Contemporary Art; Conclusion; Bibliography; Ai Weiwei: Grafting as a Documentary Tactic in Art; Ai Weiwei: The Power of (Grafting) Small Stories; Ai Weiwei: At a Critical Distance; Here and Now (Where Art Belongs); Bibliography
000867898 5058_ $$aUnsatisfactory Devices: Legacy and the Undocumentable in ArtThe Document, Documentation, and Documentary; The Alternative Document: An Exhibition and Methodology; Closing and Re-criticalizing Distance; Light and Line: Archival Loss Redrawn; A Proposition; Bibliography; From Above: Critical Distance, Aerial Views, and Counter-Images; Robert Del Tredici: Overviews of the Bomb; Trevor Paglen: Circling Secrets; Conclusion; Bibliography; Phantom Rides as Images of the World Unfolding; Imagining Distances Traveled; Capturing the Continuous Flow of Motion
000867898 5058_ $$aThe Ghan (SBS, 2018): Folding, Flow, and Slow TVPhantom Ride (Daniel Crooks, 2016): Complexity-in-Divergence; Conclusion: Creating Critical Distances; Bibliography; Mobile Media: A Reliable Documentary Witness?; Introduction: Bearing Witness; Witnessing with, Within and Because of; Establishing a New Critical Distance; Mobile Media and Modes of Witnessing; Mobile Media and Image-Making; Affect and Impact; Conclusion; Bibliography; Redefining the "Document": Social-Media Photographs as Narrative, Performance, Habitude; Case Study: The Making and Sharing of Selfies
000867898 5058_ $$aEpilogue: Photography in the "Post-Digital" AgeBibliography; Instagram as Archive: Constructing Experimental Documentary Narratives from Everyday Moments; Introduction; Personal, Reflective Filmmaking Using Mobile and Social Media; Curating and Remixing Personal Footage; Granularity and Constructing New Meaning from Databases; Critical Distance from the Self; Instagram as a Part of Wider Creative Practice; Conclusion; Bibliography; That Seagull Stole My Camera (and My Shot)!: Overlapping Metaphorical and Physical Distances in the Human-Animal-Camera Triad
000867898 506__ $$aAccess limited to authorized users.
000867898 520__ $$aThis collection of essays presents new formulations of ideas and practices within documentary media that respond critically to the multifaceted challenges of our age. As social media, augmented reality, and interactive technologies play an increasing role in the documentary landscape, new theorizations are needed to account for how such media both represents recent political, socio-historical, environmental, and representational shifts, and challenges the predominant approaches by promoting new critical sensibilities. The contributions to this volume approach the idea of "critical distance" in a documentary context and in subjects as diverse as documentary exhibitions, night photography, drone imagery, installation art, mobile media, nonhuman creative practices, sound art and interactive technologies. It is essential reading for scholars, practitioners and students working in fields such as documentary studies, film studies, cultural studies, contemporary art history and digital media studies.
000867898 588__ $$aDescription based on online resource; title from digital title page (viewed on December 31, 2018).
000867898 650_0 $$aDocumentary mass media.
000867898 650_0 $$aDigital media.
000867898 7001_ $$aCammaer, Gerda,$$eeditor.
000867898 7001_ $$aFitzpatrick, Blake,$$d1955-$$eeditor.
000867898 7001_ $$aLessard, Bruno,$$d1977-$$eeditor.
000867898 852__ $$bebk
000867898 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-96767-7$$zOnline Access$$91397441.1
000867898 909CO $$ooai:library.usi.edu:867898$$pGLOBAL_SET
000867898 980__ $$aEBOOK
000867898 980__ $$aBIB
000867898 982__ $$aEbook
000867898 983__ $$aOnline
000867898 994__ $$a92$$bISE