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000868253 020__ $$a9781137583772$$q(electronic book)
000868253 020__ $$a1137583770$$q(electronic book)
000868253 020__ $$z1137583762
000868253 020__ $$z9781137583765
000868253 035__ $$aSP(OCoLC)on1098280474
000868253 035__ $$aSP(OCoLC)1098280474
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000868253 050_4 $$aE169.12$$b.N54 2019
000868253 08204 $$a306.40973$$223
000868253 1001_ $$aNí Fhlainn, Sorcha,$$d1980-$$eauthor.
000868253 24510 $$aPostmodern vampires :$$bfilm, fiction, and popular culture /$$cSorcha Ní Fhlainn.
000868253 264_1 $$aLondon, United Kingdom :$$bPalgrave Macmillan,$$c[2019]
000868253 300__ $$a1 online resource (1 volume)
000868253 336__ $$atext$$btxt$$2rdacontent
000868253 337__ $$acomputer$$bc$$2rdamedia
000868253 338__ $$aonline resource$$bcr$$2rdacarrier
000868253 504__ $$aIncludes bibliographical references and index.
000868253 5050_ $$aIntroduction: 'something from the vampire's point of view' -- Secrets and lies : postmodern undeath in the 1970s -- Family values, apocalyptic plagues, and yuppie undeath in the 1980s -- Gothic double vision at the Fin-de-Millennium -- Fundamentalism, hybridity, and remapping the vampire body -- Vampire intimacy, profusion, and rewriting undeath.
000868253 506__ $$aAccess limited to authorized users.
000868253 5208_ $$aPostmodern Vampires: Film, Fiction, and Popular Culture is the first major study to focus on American cultural history from the vampire's point of view. Beginning in 1968, Ni Fhlainn argues that vampires move from the margins to the centre of popular culture as representatives of the anxieties and aspirations of their age. Mapping their literary and screen evolution on to the American Presidency, from Richard Nixon to Donald Trump, this essential critical study chronicles the vampire's blood-ties to distinct socio-political movements and cultural decades in the late twentieth and early twenty-first centuries. Through case studies of key texts, including Interview with the Vampire, The Lost Boys, Blade, Twilight, Let Me In, True Blood and numerous adaptations of Dracula, this book reveals how vampires continue to be exemplary barometers of political and historical change in the American imagination. It is essential reading for scholars and students in Gothic and Horror Studies, Film Studies, and American Studies, and for anyone interested in the articulate undead.
000868253 588__ $$aDescription based on online resource; title from digital title page (viewed on May 13, 2019).
000868253 650_0 $$aVampires in popular culture.
000868253 650_0 $$aPopular culture$$zUnited States.
000868253 650_0 $$aVampire films$$zUnited States$$xHistory and criticism.
000868253 650_0 $$aGothic fiction (Literary genre), American$$xHistory and criticism.
000868253 650_0 $$aVampires in literature.
000868253 650_0 $$aAmerican fiction$$y20th century$$xHistory and criticism.
000868253 650_0 $$aAmerican fiction$$y21st century$$xHistory and criticism.
000868253 650_0 $$aVampires on television.
000868253 77608 $$iPrint version:$$aNI FHLAINN, SORCHA.$$tPOSTMODERN VAMPIRES.$$d[Place of publication not identified] : PALGRAVE MACMILLAN, 2019$$z1137583762$$w(OCoLC)1078567865
000868253 852__ $$bebk
000868253 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-58377-2$$zOnline Access$$91397441.1
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000868253 980__ $$aEBOOK
000868253 980__ $$aBIB
000868253 982__ $$aEbook
000868253 983__ $$aOnline
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