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000868333 020__ $$a9783319720951$$q(electronic book)
000868333 020__ $$a3319720953$$q(electronic book)
000868333 020__ $$z3319720945
000868333 020__ $$z9783319720944
000868333 035__ $$aSP(OCoLC)on1099434716
000868333 035__ $$aSP(OCoLC)1099434716
000868333 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dGW5XE$$dYDXIT$$dEBLCP$$dUAB
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000868333 050_4 $$aPN1995.9.P6$$bE45 2019
000868333 08204 $$a791.43/6581$$223
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000868333 1001_ $$aEmmelhainz, Irmgard,$$eauthor.
000868333 24510 $$aJean-Luc Godard's political filmmaking /$$cIrmgard Emmelhainz.
000868333 264_1 $$aNew Delhi, India :$$bPalgrave Macmillan,$$c[2019]
000868333 300__ $$a1 online resource (1 volume)
000868333 336__ $$atext$$btxt$$2rdacontent
000868333 337__ $$acomputer$$bc$$2rdamedia
000868333 338__ $$aonline resource$$bcr$$2rdacarrier
000868333 506__ $$aAccess limited to authorized users.
000868333 5208_ $$aThis book offers an examination of the political dimensions of a number of Jean-Luc Godard?s films from the 1960s to the present. The author seeks to dispel the myth that Godard?s work abandoned political questions after the 1970s and was limited to merely formal ones. The book includes a discussion of militant filmmaking and Godard?s little-known films from the Dziga Vertov Group period, which were made in collaboration with Jean-Pierre Gorin. The chapters present a thorough account of Godard?s investigations on the issue of aesthetic-political representation, including his controversial juxtaposition of the Shoah and the Nakba. Emmelhainz argues that the French director?s oeuvre highlights contradictions between aesthetics and politics in a quest for a dialectical image. By positing all of Godard?s work as experiments in dialectical materialist filmmaking, from 'Le Petit soldat' (1963) to 'Adieu au langage' (2014), the author brings attention to Godard?s ongoing inquiry on the role filmmakers can have in progressive political engagement.
000868333 588__ $$aDescription based on online resource; title from digital title page (viewed on May 10, 2019).
000868333 60010 $$aGodard, Jean-Luc,$$d1930-$$xCriticism and interpretation.
000868333 650_0 $$aPolitics in motion pictures.
000868333 77608 $$iPrint version:$$aORTIZ, IRMGARD EMMELHAINZ.$$tJEAN-LUC GODARDS POLITICAL FILMMAKING.$$d[Place of publication not identified] : PALGRAVE MACMILLAN, 2018$$z3319720945$$w(OCoLC)1009047638
000868333 852__ $$bebk
000868333 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-72095-1$$zOnline Access$$91397441.1
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000868333 980__ $$aEBOOK
000868333 980__ $$aBIB
000868333 982__ $$aEbook
000868333 983__ $$aOnline
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