The principles of painting, under the heads of anatomy attitude accident Architecture Composition Claro-Obscuro Contrast Colouring Design Disposition Draperies Expression Harmony History Invention Landskip Lights Proportion Passion Portraiture Sculpture Style Truth Unity, &c. [electronic resource] : in which is contained, An account of the Athenian, Roman, Venetian and Flemish schools. To which is added, The balance of painters. Being The Names of the most noted Painters, and their Degrees of Perfection in the Four principal Parts of their Art: Of singular Use to those who would form an Idea of the Value of Paintings and Pictures. Written originally in French by Mons. du Piles, Author of The Lives of the Painters. And now first translated into English / by a painter.
1743
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The principles of painting, under the heads of anatomy attitude accident Architecture Composition Claro-Obscuro Contrast Colouring Design Disposition Draperies Expression Harmony History Invention Landskip Lights Proportion Passion Portraiture Sculpture Style Truth Unity, &c. [electronic resource] : in which is contained, An account of the Athenian, Roman, Venetian and Flemish schools. To which is added, The balance of painters. Being The Names of the most noted Painters, and their Degrees of Perfection in the Four principal Parts of their Art: Of singular Use to those who would form an Idea of the Value of Paintings and Pictures. Written originally in French by Mons. du Piles, Author of The Lives of the Painters. And now first translated into English / by a painter.
Author
Piles, Roger de, 1635-1709.
Uniform Title
Cours de peinture par principes. English
Publication Details
London : printed for J. Osborn, at the Golden Ball, in Pater-Noster Row, M.DCC.XLIII. [1743]
Language
English
Description
1 online resource (xii, 300,[8] p.,IIplates)
Note
Reproduction of the original from the British Library.
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Access limited to authorized users.
Series
Slavery and anti-slavery: a transnational archive. Part 2: Slave trade in the Atlantic world.
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