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000883380 020__ $$a9780191878176 $$q(electronic book)
000883380 035__ $$a(StDuBDS)EDZ0002052930
000883380 040__ $$aStDuBDS$$beng$$cStDuBDS$$erda$$epn
000883380 050_4 $$aPN2594.13
000883380 08204 $$a792.094209034$$223
000883380 1001_ $$aSchramm, Jan-Melissa,$$eauthor.
000883380 24510 $$aCensorship and the representation of the sacred in nineteenth-century England /$$cJan-Melissa Schramm.
000883380 250__ $$aFirst edition.
000883380 264_1 $$aOxford :$$bOxford University Press,$$c2019.
000883380 300__ $$a1 online resource.
000883380 336__ $$atext$$2rdacontent
000883380 337__ $$acomputer$$2rdamedia
000883380 338__ $$aonline resource$$2rdacarrier
000883380 4901_ $$aOxford scholarship online
000883380 500__ $$aPreviously issued in print: 2019.
000883380 504__ $$aIncludes bibliographical references and index.
000883380 506__ $$aAccess limited to authorized users.
000883380 5208_ $$aA study of nineteenth-century theatre that explores why, in an age famous for its piety and religious devotion, the English public dramatic repertoire was, by force of law, secular.
000883380 588__ $$aDescription based on online resource; title from home page (viewed on May 16, 2019).
000883380 650_0 $$aTheater$$zEngland$$xHistory$$y19th century.
000883380 650_0 $$aCensorship$$zEngland$$xHistory$$y19th century.
000883380 650_0 $$aReligious drama, English$$xHistory and criticism.
000883380 650_0 $$aCensorship$$xReligious aspects$$xChristianity.
000883380 77608 $$iPrint version: $$z9780198826064
000883380 830_0 $$aOxford scholarship online.
000883380 85280 $$bebk$$hOxford Scholarship Online
000883380 85640 $$3Oxford scholarship online$$uhttps://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1093/oso/9780198826064.001.0001$$zOnline Access
000883380 909CO $$ooai:library.usi.edu:883380$$pGLOBAL_SET
000883380 980__ $$aEBOOK
000883380 980__ $$aBIB
000883380 982__ $$aEbook
000883380 983__ $$aOnline