TY  - GEN
N2  - We live in the age of the mobile image. Our world is now saturated with moving images of all kinds, both analog and digital. This sea change in image production and circulation is nothing less than the Copernican revolution of our time. The centrality of the movement and mobility of the image has never been more dramatic. And just like the Copernican revolution, the aesthetic revolution of the image has consequences not only for the way we think about the contemporary image but also the way we think about all previous images. 'Theory of the Image' offers a new and systematic philosophy of art and aesthetics from the perspective of movement - the first of its kind.
AB  - We live in the age of the mobile image. Our world is now saturated with moving images of all kinds, both analog and digital. This sea change in image production and circulation is nothing less than the Copernican revolution of our time. The centrality of the movement and mobility of the image has never been more dramatic. And just like the Copernican revolution, the aesthetic revolution of the image has consequences not only for the way we think about the contemporary image but also the way we think about all previous images. 'Theory of the Image' offers a new and systematic philosophy of art and aesthetics from the perspective of movement - the first of its kind.
T1  - Theory of the image /
AU  - Nail, Thomas,
CN  - Oxford Scholarship Online
CN  - BH39
N1  - Previously issued in print: 2019.
ID  - 883386
KW  - Arts
KW  - Aesthetics.
KW  - Images, Photographic
KW  - Digital images
KW  - Motion
SN  - 9780190924065 
TI  - Theory of the image /
LK  - https://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1093/oso/9780190924034.001.0001
UR  - https://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1093/oso/9780190924034.001.0001
ER  -