000887067 000__ 01536cam\a2200385Ia\4500
000887067 001__ 887067
000887067 005__ 20210515172658.0
000887067 006__ m\\\\\o\\d\\\\\\\\
000887067 007__ cr\cn\nnnunnun
000887067 008__ 090314s2004\\\\enka\\\\ob\\\\001\0\eng\d
000887067 010__ $$z  2002019636
000887067 020__ $$z0195122372
000887067 020__ $$z9780195122374
000887067 035__ $$a(MiAaPQ)EBC271297
000887067 035__ $$a(Au-PeEL)EBL271297
000887067 035__ $$a(CaPaEBR)ebr10266581
000887067 035__ $$a(CaONFJC)MIL76065
000887067 035__ $$a(OCoLC)437173108
000887067 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ
000887067 050_4 $$aMT6.S2874$$bT65131 2004
000887067 1001_ $$aSchenker, Heinrich,$$d1868-1935.
000887067 24010 $$aTonwille.$$lEnglish
000887067 24514 $$aDer Tonwille$$h[electronic resource] :$$bpamphlets in witness of the immutable laws of music : offered to a new generation of youth.$$nVolume 1,$$pIssues 1-5 (1921-1923) /$$cby Heinrich Schenker ; edited by William Drabkin ; translated by Ian Bent ... [et al.].
000887067 260__ $$aOxford ;$$aNew York :$$bOxford University Press,$$c2004.
000887067 300__ $$axx, 231 p. :$$bill.
000887067 500__ $$a"Semper idem sed non eodem modo".
000887067 504__ $$aIncludes bibliographical references and index.
000887067 506__ $$aAccess limited to authorized users.
000887067 650_0 $$aSchenkerian analysis.
000887067 650_0 $$aMusic$$xHistory and criticism.
000887067 7001_ $$aDrabkin, William.
000887067 7300_ $$aTonwille.
000887067 852__ $$bebk
000887067 85640 $$3ProQuest Ebook Central Academic Complete $$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=271297$$zOnline Access
000887067 909CO $$ooai:library.usi.edu:887067$$pGLOBAL_SET
000887067 980__ $$aEBOOK
000887067 980__ $$aBIB
000887067 982__ $$aEbook
000887067 983__ $$aOnline