000888038 000__ 01639cam\a2200445\a\4500
000888038 001__ 888038
000888038 005__ 20210515172901.0
000888038 006__ m\\\\\o\\d\\\\\\\\
000888038 007__ cr\cn\nnnunnun
000888038 008__ 130108s2013\\\\nyua\\\\ob\\\\001\0deng\d
000888038 010__ $$z  2013000576
000888038 020__ $$z9781107014329 
000888038 020__ $$z9781107306448 $$q(electronic book)
000888038 035__ $$a(MiAaPQ)EBC1113058
000888038 035__ $$a(Au-PeEL)EBL1113058
000888038 035__ $$a(CaPaEBR)ebr10655828
000888038 035__ $$a(CaONFJC)MIL456974
000888038 035__ $$a(OCoLC)828302523
000888038 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ
000888038 050_4 $$aML410.C24$$bI33 2013
000888038 08204 $$a780.92/2$$223
000888038 1001_ $$aIddon, Martin,$$d1975-
000888038 24510 $$aJohn Cage and David Tudor$$h[electronic resource] :$$bcorrespondence on interpretation and performance /$$cMartin Iddon.
000888038 260__ $$aNew York :$$bCambridge University Press,$$c2013.
000888038 300__ $$axiii, 225 p. :$$bill.
000888038 440_0 $$aMusic since 1900
000888038 504__ $$aIncludes bibliographical references and index.
000888038 506__ $$aAccess limited to authorized users.
000888038 60010 $$aCage, John$$xCriticism and interpretation.
000888038 60010 $$aTudor, David,$$d1926-1996.
000888038 60010 $$aCage, John$$xPerformances.
000888038 60010 $$aCage, John$$vCorrespondence.
000888038 60010 $$aTudor, David,$$d1926-1996$$vCorrespondence.
000888038 650_0 $$aComposers$$vCorrespondence.
000888038 650_0 $$aPianists$$vCorrespondence.
000888038 7001_ $$aCage, John.
000888038 7001_ $$aTudor, David,$$d1926-1996.
000888038 852__ $$bebk
000888038 85640 $$3ProQuest Ebook Central Academic Complete $$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=1113058$$zOnline Access
000888038 909CO $$ooai:library.usi.edu:888038$$pGLOBAL_SET
000888038 980__ $$aEBOOK
000888038 980__ $$aBIB
000888038 982__ $$aEbook
000888038 983__ $$aOnline