000889706 000__ 03444cam\a2200421\i\4500 000889706 001__ 889706 000889706 005__ 20210515173412.0 000889706 008__ 181126s2019\\\\nyua\\\\\b\\\\001\0\eng\\ 000889706 010__ $$a 2018054005 000889706 019__ $$a1065036762 000889706 020__ $$a9780231191623$$q(hardcover) 000889706 020__ $$a0231191626$$q(hardcover) 000889706 020__ $$a9780231191630$$q(paperback) 000889706 020__ $$a0231191634$$q(paperback) 000889706 035__ $$a(OCoLC)on1064780660 000889706 035__ $$a889706 000889706 040__ $$aLBSOR/DLC$$beng$$erda$$cDLC$$dOCLCO$$dOCLCQ$$dOCLCF$$dUUM$$dMOZ$$dCWR$$dCHVBK$$dOCLCO$$dZWZ$$dZQP$$dZLM$$dQGK$$dYDX$$dNYP$$dYDX$$dBKL$$dSHS$$dYUS$$dYOU$$dIUL$$dL2U$$dUAT$$dIGA$$dVT2$$dTOH$$dMNN$$dISE 000889706 0411_ $$aeng$$hjpn 000889706 042__ $$apcc 000889706 043__ $$aa-ja--- 000889706 049__ $$aISEA 000889706 05000 $$aPN1993.5.J3$$bN542513 2019 000889706 08200 $$a791.430952$$223 000889706 1001_ $$aYomota, Inuhiko,$$d1953-$$eauthor. 000889706 24010 $$aNihon eigashi 110-nen.$$lEnglish 000889706 24510 $$aWhat is Japanese cinema? :$$ba history /$$cYomota Inuhiko ; translated by Philip Kaffen. 000889706 264_1 $$aNew York :$$bColumbia University Press,$$c[2019] 000889706 300__ $$axviii, 228 pages :$$billustrations ;$$c22 cm 000889706 336__ $$atext$$btxt$$2rdacontent 000889706 337__ $$aunmediated$$bn$$2rdamedia 000889706 338__ $$avolume$$bnc$$2rdacarrier 000889706 500__ $$a"Originally published in the Japanese as Nihon eigash 110 nen (Tokyo: Shueisha, 2014)"--Title page verso. 000889706 500__ $$aTranslated from the Japanese. 000889706 504__ $$aIncludes bibliographical references (pages 201-213) and index. 000889706 50500 $$tMotion pictures: 1896-1918 --$$tThe rise of silent film: 1917-1930 --$$tThe first golden age: 1927-1940 --$$tJapanese cinema during wartime --$$tFilm production in the colonies and occupied lands --$$tJapanese cinema under American occupation: 1945-1952 --$$tToward a second golden age: 1952-1960 --$$tUpheaval amidst steady decline: 1961-1970 --$$tDecline and torpor: 1971-1980 --$$tThe collapse of the studio system: 1981-1990 --$$tThe indies start to flourish: 1991-2000 --$$tWithin a production bubble: 2001-2011. 000889706 520__ $$a"What might Godzilla and Kurosawa have in common? What, if anything, links Ozu's sparse portraits of domestic life and the colorful worlds of anime? In this book, Yomota Inuhiko provides a concise history of Japanese film that shows how cinema tells the story of Japan's modern age. Discussing popular works alongside auteurist masterpieces, Inuhiko considers films in light of both Japanese cultural particularities and cinema as a worldwide art form. He covers the history of Japanese film from the silent era to the rise of J-Horror in historical, technological, and global contexts. Inuhiko shows how Japanese film has been shaped by traditional art forms such as kabuki theater as well as foreign influences spanning Hollywood and Italian neorealism. Along the way, he considers the first golden age of Japanese film; colonial filmmaking in Korea, Manchuria, and Taiwan; the impact of World War II and the U.S. occupation; the Japanese film industry's rise to international prominence during the 1950s and 1960s; and the challenges and technological shifts of recent decades. Alongside a larger thematic discussion of what defines and characterizes Japanese film, Inuhiko provides insightful readings of canonical directors including Kurosawa, Ozu, Suzuki, and Miyazaki as well as genre movies, documentaries, indie film, and pornography"--$$cProvided by publisher. 000889706 650_0 $$aMotion pictures$$zJapan$$xHistory. 000889706 7001_ $$aKaffen, Phil,$$etranslator. 000889706 85200 $$bgen$$hPN1993.5.J3$$iN542513$$i2019 000889706 909CO $$ooai:library.usi.edu:889706$$pGLOBAL_SET 000889706 980__ $$aBIB 000889706 980__ $$aBOOK