Edward Burne-Jones / edited by Alison Smith with contributions by Tim Batchelor, Suzanne Fagence Cooper, Colin Cruise, Charlotte Gere, Elizabeth Prettejohn and Nicholas Tromans.

[First edition]

9781849765749 (hardcover)
184976574X (hardcover)
9781849765992 (paperback)
1849765995 (paperback)

London, England : Tate Publishing, 2018.

New York, New York : Abrams.

Florence, Italy : Conti Typocolor.

English

240 pages : illustrations ; 30 cm

ND497.B8 A4 2018

700.941

Edward Burne-Jones is widely regarded as one of the great British artists, and the only Pre-Raphaelite to achieve world-wide recognition through the elusive mythic language he developed across a range of media. Accompanying a major exhibition of Burne-Jones's work at Tate Britain, this beautifully-designed book looks at what was distinctive about Burne-Jones's art, and charts the course through which he emerged from being an outsider, to being revered as one of the great artists of the European fin de siecle. It shows how he maintained his vision through meticulous attention to craftsmanship and the repetition of key motifs. It examines the extraordinary combination of flattening and illusionistic effects in Burne-Jones's work, the artist's preoccupation with romance and horror, and the emphasis he placed on the potential of physical and symbolic objects within an image to simultaneously unlock and obfuscate meaning. Illustrated works show how Burne-Jones's highly subjective approach to storytelling resulted in a paradoxical combination of seriality and stasis, making the image unsettling in narrative and emotional terms.

Published on the occasion of the exhibition Edward Burne-Jones held at Tate Britain, London, 24 October 2018 - 24 February 2019.
Edward Burne-Jones is widely regarded as one of the great British artists, and the only Pre-Raphaelite to achieve world-wide recognition through the elusive mythic language he developed across a range of media. Accompanying a major exhibition of Burne-Jones's work at Tate Britain, this beautifully-designed book looks at what was distinctive about Burne-Jones's art, and charts the course through which he emerged from being an outsider, to being revered as one of the great artists of the European fin de siecle. It shows how he maintained his vision through meticulous attention to craftsmanship and the repetition of key motifs. It examines the extraordinary combination of flattening and illusionistic effects in Burne-Jones's work, the artist's preoccupation with romance and horror, and the emphasis he placed on the potential of physical and symbolic objects within an image to simultaneously unlock and obfuscate meaning. Illustrated works show how Burne-Jones's highly subjective approach to storytelling resulted in a paradoxical combination of seriality and stasis, making the image unsettling in narrative and emotional terms.

Includes bibliographical references (pages 225-226) and index.

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