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Table of Contents
Intro; Foreword; Editors' Note; Contents; Notes on Contributors; List of Figures; List of Tables; Chapter 1 Children's Film and Television: Contexts and New Directions; Scope; Problems of Definition; Ratings Systems and Censorship; Media Panics; Literacy and Pedagogy; Literary Adaptations for Children; Film-, Media-, and Multi-literacies; Adaptation and Intertextuality in Children's Television and Film; The Possibility of Childhood: Gaining Experience Without Coming of Age; Adult Discourses in Children's Film; Identity, Race, and Class; The Tension Between Global and Local
Film Literacy and EducationThe Influence of Form and Platform; References; Part I Adaptation and Intertextuality in Children's Television and Film; Chapter 2 Adaptations for Young Audiences: Critical Challenges, Future Directions; Film Adaptation, Children's Literature, and Palimpsestuous Intertextuality; Adaptation, Unfinished Cultural Business, and Changing Cultural Ideologies of Childhood and Gender; Adaptation Studies and Children's and Youth Cultures; Fairy-Tale Film; Motivations for Adaptation and Revisionist Adaptations; Fidelity Criticism; Conclusions and Future Directions; References
Chapter 3 Easy A(daptation): Sex, Fidelity, and Constructing the Unknowing-Knowing PG-13 Teen AudienceEasy A's Thematic Parallels with The Scarlet Letter; Easy A as a Meta-Adaptation; Fidelity and Knowing in Adaptation and Easy A; "As If" Knowing, or "Faking It 'til You Make It"; Conclusion; References; Chapter 4 In Medias Res: The Remediation of Time in Lemony Snicket's A Series of Unfortunate Events; From Flow to Fragmentation: Broadcast Television to Digital Streaming; Temporality in the Age of the Always On; Where and When Are We?: Lemony Snicket's Guide to Streaming Media
Cohering the ContinuumReferences; Chapter 5 Revisiting Comfort Women History and Representing Trauma in South Korean Films Never Ending Story and Herstory; Never Ending Story: The Power of the Personal Story; When I Was Young: Indication of a Safe Space; The End of Childhood; Physical and Mental Violence; Surviving a Life-Threatening Time; Post-war Trauma and Shame; Critical and Authoritative Voice: Advocacy of Social Awareness; Herstory: The Power of Personal Testimony; Physical and Mental Violence; Surviving a Life-Threatening Time; Critical and Authoritative Voice; Conclusion; References
Chapter 6 New Shoes, Old Paths: Disney's Cinderella(s)"You'll Find They're Very Comfortable"; Blue Shoes; Ballet Pumps, Leather Boots; Glass Slippers; Deceptive Makeover or Magical Transformation; New Shoes, Old Paths; References; Chapter 7 Reimagining Alice Through the Intertextual Realm of Children's Film and Television; Female Transgression in Carroll's Alice's Adventures in Wonderland; The Disney Effect; Meta-Adaptation and Carroll's Alice's Adventures in Wonderland; A New Alice?; Agency and Children's Television; Development and Adaptation of Children's Film; References
Film Literacy and EducationThe Influence of Form and Platform; References; Part I Adaptation and Intertextuality in Children's Television and Film; Chapter 2 Adaptations for Young Audiences: Critical Challenges, Future Directions; Film Adaptation, Children's Literature, and Palimpsestuous Intertextuality; Adaptation, Unfinished Cultural Business, and Changing Cultural Ideologies of Childhood and Gender; Adaptation Studies and Children's and Youth Cultures; Fairy-Tale Film; Motivations for Adaptation and Revisionist Adaptations; Fidelity Criticism; Conclusions and Future Directions; References
Chapter 3 Easy A(daptation): Sex, Fidelity, and Constructing the Unknowing-Knowing PG-13 Teen AudienceEasy A's Thematic Parallels with The Scarlet Letter; Easy A as a Meta-Adaptation; Fidelity and Knowing in Adaptation and Easy A; "As If" Knowing, or "Faking It 'til You Make It"; Conclusion; References; Chapter 4 In Medias Res: The Remediation of Time in Lemony Snicket's A Series of Unfortunate Events; From Flow to Fragmentation: Broadcast Television to Digital Streaming; Temporality in the Age of the Always On; Where and When Are We?: Lemony Snicket's Guide to Streaming Media
Cohering the ContinuumReferences; Chapter 5 Revisiting Comfort Women History and Representing Trauma in South Korean Films Never Ending Story and Herstory; Never Ending Story: The Power of the Personal Story; When I Was Young: Indication of a Safe Space; The End of Childhood; Physical and Mental Violence; Surviving a Life-Threatening Time; Post-war Trauma and Shame; Critical and Authoritative Voice: Advocacy of Social Awareness; Herstory: The Power of Personal Testimony; Physical and Mental Violence; Surviving a Life-Threatening Time; Critical and Authoritative Voice; Conclusion; References
Chapter 6 New Shoes, Old Paths: Disney's Cinderella(s)"You'll Find They're Very Comfortable"; Blue Shoes; Ballet Pumps, Leather Boots; Glass Slippers; Deceptive Makeover or Magical Transformation; New Shoes, Old Paths; References; Chapter 7 Reimagining Alice Through the Intertextual Realm of Children's Film and Television; Female Transgression in Carroll's Alice's Adventures in Wonderland; The Disney Effect; Meta-Adaptation and Carroll's Alice's Adventures in Wonderland; A New Alice?; Agency and Children's Television; Development and Adaptation of Children's Film; References