000891112 000__ 05355cam\a2200505\i\4500 000891112 001__ 891112 000891112 005__ 20210515173812.0 000891112 008__ 180806t20192019iluab\\\\bc\\\000\0\eng\\ 000891112 010__ $$a 2018036976 000891112 019__ $$a1032704305 000891112 020__ $$a9780691182681$$q(hardcover) 000891112 020__ $$a069118268X$$q(hardcover) 000891112 035__ $$a(OCoLC)on1032654614 000891112 035__ $$a891112 000891112 040__ $$aDLC$$beng$$erda$$cDLC$$dOCLCF$$dOCLCO$$dERASA$$dILO$$dINU$$dOCLCQ$$dUKMGB$$dL2U$$dYUS$$dMZA$$dVT2$$dOCLCO$$dGFC$$dOCLCO 000891112 042__ $$apcc 000891112 043__ $$afw-----$$aff----- 000891112 049__ $$aISEA 000891112 05000 $$aNK700$$b.C36 2019 000891112 08200 $$a709.01074$$223 000891112 24500 $$aCaravans of gold, fragments in time :$$bart, culture, and exchange across medieval Saharan Africa /$$cedited by Kathleen Bickford Berzock. 000891112 24630 $$aArt, culture, and exchange across medieval Saharan Africa 000891112 264_1 $$a[Evanston, Illinois] :$$bBlock Museum of Art, Northwestern University :$$bin association with Princeton University Press,$$c[2019] 000891112 300__ $$a311 pages :$$bcolor illustrations, color maps ;$$c29 cm 000891112 336__ $$atext$$btxt$$2rdacontent 000891112 336__ $$astill image$$bsti$$2rdacontent 000891112 337__ $$aunmediated$$bn$$2rdamedia 000891112 338__ $$avolume$$bnc$$2rdacarrier 000891112 500__ $$aPublished on the occasion of the exhibition at the Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois, January 26, 2019-July 21, 2019; The Aga Khan Museum, Toronto, Canada, September 21, 2019-February 23, 2020; and the National Museum of African Art, Smithsonian Institution, Washington, DC, April 8-November 29, 2020. 000891112 504__ $$aIncludes bibliographical references (pages 294-309). 000891112 50500 $$gSection I:$$tGroundwork.$$tCaravans of gold, fragments in time : an introduction /$$rKathleen Bickford Berzock --$$tUncertain fragments : a divination /$$rChris Abani --$$tViews from afar : reading medieval trans-Saharan trade through Arabic accounts /$$rRobert Launay --$$tThe sources of gold : narratives, technology, and visual culture from the Mande and Akan worlds /$$rRalph A. Austen -- Fragments at risk : the protection of cultural heritage in Mali, Morocco, and Nigeria /$$rMamadi Dembélé, Ahmed Ettahrir, Youssef Khiara, and Yousuf Abdallah Usman. --$$gSection II:$$tSites.$$tThe Sahara as a cultural zone /$$rCynthia Becker --$$tSijilmasa's role in the African gold trade /$$rRonald A. Messier and Abdallah Fili --$$tEssouk-Tadmekka : a southern Saharan center of the early Islamic camel caravan trade /$$rSam Nixon --$$tGao, a middle Niger city in medieval trade /$$rMamadou Cissé --$$tUrbanization and trade networks in the inland Niger Delta /$$rMamadi Dembélé --$$tPolitics and trade in medieval Northern Nigeria /$$rDetlef Gronenborn. --$$gSection III:$$tMatter in motion.$$tGold, ivory, and copper, materials and arts of trans-Saharan trade /$$rSarah M. Guérin --$$tDinars as historical texts : documenting the African gold trade /$$rRon Messier --$$tGold processing at the early Islamic market town of Tadmekka, Mali : preliminary results from experimental replication /$$rGianluca Pastorelli, Marc Walton, and Sam Nixon --$$tMedieval glass bead production and exchange /$$rAdidemi Babatunde Babalola --$$tThe written word : Islamic literacy and Arabic manuscripts in West Africa /$$rMauro Nobili. --$$gSection IV:$$tReverberations.$$tRed gold : things made of copper, bronze, and brass /$$rRaymond Silverman --$$tGnawa material culture : innovation across the Sahara /$$rCynthia Becker --$$tSaharan crossing : the realities of migration today /$$rGalya Ben-Arieh --$$tBibliography --$$tLenders to the exhibition --$$tContributors. 000891112 520__ $$a"Caravans of Gold, Fragments in Time draws on the latest archaeological discoveries and art historical research to construct a compelling look at medieval trans-Saharan exchange and its legacy. Contributors from diverse disciplines present case studies that form a rich portrayal of a distant time. Topics include descriptions of key medieval cities around the Sahara; networks of exchange that contributed to the circulation of gold, copper, and ivory and their associated art forms; and medieval glass bead production in West Africa's forest region. Featuring a wealth of color images, this fascinating book demonstrates how the rootedness of place, culture, and tradition is closely tied to the circulation of people, objects, and ideas. These "fragments in time" offer irrefutable evidence of the key role that Africa played in medieval history and promote a new understanding of the past and the present"--$$cProvided by publisher. 000891112 650_0 $$aArt objects, Medieval$$xEconomic aspects$$vExhibitions. 000891112 650_0 $$aCivilization, Medieval$$vExhibitions. 000891112 650_0 $$aMaterial culture$$zAfrica, West$$xHistory$$vExhibitions. 000891112 650_0 $$aMaterial culture$$zAfrica, North$$xHistory$$vExhibitions. 000891112 650_0 $$aMaterial culture$$zSahara$$xHistory$$vExhibitions. 000891112 651_0 $$aAfrica, West$$xCommerce$$xHistory$$vExhibitions. 000891112 651_0 $$aAfrica, North$$xCommerce$$xHistory$$vExhibitions. 000891112 651_0 $$aSahara$$xCommerce$$xHistory$$vExhibitions. 000891112 655_7 $$aExhibition catalogs.$$2lcgft 000891112 7001_ $$aBerzock, Kathleen Bickford,$$eeditor,$$ecurator,$$econtributor. 000891112 7102_ $$aMary and Leigh Block Museum of Art,$$eorganizer,$$ehost institution. 000891112 7102_ $$aAga Khan Museum (Toronto, Ont.),$$ehost institution. 000891112 7102_ $$aNational Museum of African Art (U.S.),$$ehost institution. 000891112 85200 $$bgen$$hNK700$$i.C36$$i2019 000891112 909CO $$ooai:library.usi.edu:891112$$pGLOBAL_SET 000891112 980__ $$aBIB 000891112 980__ $$aBOOK