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000891315 019__ $$a1103505540$$a1105189295
000891315 020__ $$a9783030144715$$q(electronic book)
000891315 020__ $$a3030144712$$q(electronic book)
000891315 020__ $$z3030144704
000891315 020__ $$z9783030144708
000891315 0247_ $$a10.1007/978-3-030-14
000891315 035__ $$aSP(OCoLC)on1103440296
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000891315 049__ $$aISEA
000891315 050_4 $$aML3845
000891315 08204 $$a780.1$$223
000891315 24500 $$aOf essence and context :$$bbetween music and philosophy /$$ceditors, Rūta Stanevičiūtė, Nick Zangwill and Rima Povilionienė.
000891315 264_1 $$aCham, Switzerland :$$bSpringer,$$c[2019]
000891315 264_4 $$c©2019
000891315 300__ $$a1 online resource.
000891315 336__ $$atext$$btxt$$2rdacontent
000891315 337__ $$acomputer$$bc$$2rdamedia
000891315 338__ $$aonline resource$$bcr$$2rdacarrier
000891315 4901_ $$aNumanities--arts and humanities in progress ;$$vvolume 7
000891315 504__ $$aIncludes bibliographical references and index.
000891315 506__ $$aAccess limited to authorized users.
000891315 5208_ $$aThis book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer?s and listener?s perceptions. 0In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. 0This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy.
000891315 588__ $$aDescription based on print version record.
000891315 650_0 $$aMusic$$xPhilosophy and aesthetics.
000891315 650_0 $$aMusic and philosophy.
000891315 650_0 $$aEssentialism (Philosophy)
000891315 650_0 $$aContext effects (Psychology)
000891315 7001_ $$aStanevičiūtė, Rūta,$$eeditor.
000891315 7001_ $$aZangwill, Nick,$$eeditor.
000891315 7001_ $$aPovilionienė, Rima,$$eeditor.
000891315 77608 $$iPrint version:$$tOF ESSENCE AND CONTEXT.$$d[Place of publication not identified] : SPRINGER, 2019$$z3030144704$$w(OCoLC)1084333616
000891315 830_0 $$aNumanities--arts and humanities in progress ;$$vv. 7.
000891315 852__ $$bebk
000891315 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-14471-5$$zOnline Access$$91397441.1
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000891315 980__ $$aEBOOK
000891315 980__ $$aBIB
000891315 982__ $$aEbook
000891315 983__ $$aOnline
000891315 994__ $$a92$$bISE