000891316 000__ 04746cam\a2200481Ki\4500 000891316 001__ 891316 000891316 005__ 20230306150040.0 000891316 006__ m\\\\\o\\d\\\\\\\\ 000891316 007__ cr\cn\nnnunnun 000891316 008__ 190604s2019\\\\sz\\\\\\ob\\\\001\0\eng\d 000891316 019__ $$a1103440209 000891316 020__ $$a9783030162917$$q(electronic book) 000891316 020__ $$a3030162915$$q(electronic book) 000891316 020__ $$z3030162907 000891316 020__ $$z9783030162900 000891316 035__ $$aSP(OCoLC)on1103462275 000891316 035__ $$aSP(OCoLC)1103462275$$z(OCoLC)1103440209 000891316 040__ $$aYDX$$beng$$cYDX$$dN$T$$dEBLCP$$dYDXIT$$dGW5XE$$dOCLCF 000891316 049__ $$aISEA 000891316 050_4 $$aQC406$$b.I58 2019 000891316 08204 $$a530.11$$223 000891316 24500 $$aInvisibility in visual and material culture /$$cedited by Asbjøn Grønstad, Øyvind Vagnes. 000891316 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2019] 000891316 300__ $$a1 online resource 000891316 336__ $$atext$$btxt$$2rdacontent 000891316 337__ $$acomputer$$bc$$2rdamedia 000891316 338__ $$aonline resource$$bcr$$2rdacarrier 000891316 504__ $$aIncludes bibliographical references and index. 000891316 5050_ $$aIntro; Foreword; Acknowledgements; Contents; Notes on Contributors; List of Figures; Chapter 1 Invisibility Matters; Works Cited; Chapter 2 Archaeologists of the Off-Screen: Harun Farocki and Trevor Paglen; Genesis I: The Image Factory; Exodus: A Brief History of Operational Images; Numbers: Façade and Functionality; Genesis II: The Cloud Factory; Works Cited; Chapter 3 Literary Device: Invisible Light and a Photo of Photography; The Impact of Invisible Light; Blind Amnesia; Literary Invisibility; Works Cited; Chapter 4 Tomas van Houtryve's Packing Heat and the Culture of Surveillance 000891316 5058_ $$aWorks CitedChapter 5 Neurointerfaces, Mental Imagery and Sensory Translation in Art and Science in the Digital Age; Mental Images and the Problem of Mediated Representation; Sensory Translation in Artistic Perspective; From Images to Mental Images; From Mental Images to Images; From Images to Constellations of Signals; From Mental Images to Datasets; From Mental Images to Movements; From Haptic Stimulation to Recognizable and Non-recognizable Images; In Conclusion: Artistic Epistemologies; Works Cited; Chapter 6 Invisibility and the Ethics of Erasure: Khaled Barakeh's The Untitled Images 000891316 5058_ $$aWorks CitedChapter 7 Neither Visible Nor Hidden: The Structuring of the Sensible; Introduction; The Photograph; The Invisible of the Image Is Central to These Processes; Bibliography; Chapter 8 Reading the Invisible in Marjane Satrapi's Graphic Memoir Embroideries; Visual Culture, Power and Reading; Looking at the Other in Embroideries; Reading the Invisible: Seeing Eye to I; Works Cited; Chapter 9 Hearing and Seeing the In/Visible: Anne Charlotte Robertson's Five Year Diary; Five Year Diary: Brass Tacks; Hearing, Seeing, Madness 000891316 5058_ $$aRobertson's Audio Tracks and the Expression of Invisible WorldsWorks Cited; Chapter 10 Power in Partial Invisibility: Reframing Positions on Nineteenth- and Early Twentieth-Century Photography; Works Cited; Chapter 11 Materiality of the Invisible in David Wilson's "California Letters"; Beginning; Frame I: The Story; Frame II: Offstage; Frame III: Teeming; Frame IV: Corrections; Ending; Works Cited; Index 000891316 506__ $$aAccess limited to authorized users. 000891316 520__ $$aThe essays in Invisibility in Visual and Material Culture contribute pioneering and revelatory insights into the phenomenon of invisibility, forging new and multi-disciplinary approaches at the intersection of aesthetics, technology, representation and politics. Importantly, they acknowledge the complex interaction between invisibility and its opposite, visibility, arguing that the one cannot be fully grasped without the other. Considering these entanglements across different media forms, the chapters reveal that the invisible affects many cultural domains, from digital communication and operative images to the activism of social movements, as well as to identity, race, gender and class issues. Whether the subject is comic books, photographic provocations, biometric and brainwave sensing technologies, letters, or a cinematic diary, the analyses in this book engage critically and theoretically with the topic of invisibility and thus represent the first scholarly study to identify its importance for the field of visual culture. 000891316 588__ $$aOnline resource; title from PDF file page (viewed June 6, 2019). 000891316 650_0 $$aInvisibility. 000891316 650_0 $$aInvisibility$$xSocial aspects. 000891316 7001_ $$aGrønstad, Asbjørn,$$eeditor. 000891316 7001_ $$aVågnes, Øyvind,$$d1972-$$eeditor. 000891316 852__ $$bebk 000891316 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-16291-7$$zOnline Access$$91397441.1 000891316 909CO $$ooai:library.usi.edu:891316$$pGLOBAL_SET 000891316 980__ $$aEBOOK 000891316 980__ $$aBIB 000891316 982__ $$aEbook 000891316 983__ $$aOnline 000891316 994__ $$a92$$bISE