000892071 000__ 02801cam\a22004811i\4500 000892071 001__ 892071 000892071 005__ 20210515174033.0 000892071 006__ m\\\\\o\\d\\\\\\\\ 000892071 007__ cr\un\nnnunnun 000892071 008__ 190811t20192019ilua\\\\ob\\\\001\0\eng\d 000892071 020__ $$a9780226630656$$q(electronic book) 000892071 020__ $$a022663065X$$q(electronic book) 000892071 020__ $$z9780226630489 000892071 020__ $$z022663048X 000892071 020__ $$z9780226630519 000892071 020__ $$z022663051X 000892071 035__ $$a(NhCcYBP)EBC5789513 000892071 040__ $$aNhCcYBP$$cNhCcYBP 000892071 050_4 $$aN66$$b.S73 2019 000892071 08204 $$a700.1/05$$223 000892071 1001_ $$aStafford, Barbara Maria,$$d1941-$$eauthor. 000892071 24010 $$aEssays.$$kSelections 000892071 24510 $$aRibbon of darkness :$$binferencing from the shadowy arts and sciences /$$cBarbara Maria Stafford. 000892071 264_1 $$aChicago :$$bThe University of Chicago Press,$$c2019. 000892071 264_4 $$c©2019 000892071 300__ $$a1 online resource (x, 217 pages) :$$billustrations. 000892071 336__ $$atext$$btxt$$2rdacontent 000892071 337__ $$acomputer$$bc$$2rdamedia 000892071 338__ $$aonline resource$$bcr$$2rdacarrier 000892071 504__ $$aIncludes bibliographical references and index. 000892071 5050_ $$aPreface: the bottom of the garden -- Introduction: on being struck: hitting the eye/arousing the mind -- Inscrutability. "Black and glittering": the inscrutable sublime ; Lying side by side: fitting color to eros ; The ultimate conjuncture: what shadows the brain-mind merger? ; Reconceiving the Warburg Library as a working museum of the mind -- Ineffability. From communicable matter to incommunicable "stuff": extreme combinatorics and the return of ineffability ; Impossible to name: performing the ineffable ; "Totally visual?": op art's neural iconography and the engineered picture ; Dark wonder: belowness, or the ineffable underground ; Still deeper: the non-conscious sublime or the art and science of submergence -- Intuitability. Strange shadows/marred screens ; Thought gems: inferencing from the impersonal crystalline ; The jewel game: gems, fascination, and the neuroscience of visual attention ; From observant eye to non-attentive "I": the camera as cognitive device ; Seizing attention: devices and desires. 000892071 506__ $$aAccess limited to authorized users 000892071 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 000892071 588__ $$aDescription based on print version record. 000892071 650_0 $$aArt$$xAesthetics. 000892071 650_0 $$aSublime, The, in art. 000892071 650_0 $$aArt and science. 000892071 650_0 $$aArt and technology. 000892071 7102_ $$aProQuest (Firm) 000892071 77608 $$iPrint version: $$z9780226630489$$z022663048X$$z9780226630519$$z022663051X$$w(DLC) 2018052440 000892071 852__ $$bebk 000892071 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=5789513$$zOnline Access 000892071 909CO $$ooai:library.usi.edu:892071$$pGLOBAL_SET 000892071 980__ $$aEBOOK 000892071 980__ $$aBIB 000892071 982__ $$aEbook 000892071 983__ $$aOnline