From Daniel Boone to Captain America : playing Indian in American popular culture / Chad A. Barbour.
2016
PN6725 .B33 2016 (Mapit)
Available at General Collection
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Details
Title
From Daniel Boone to Captain America : playing Indian in American popular culture / Chad A. Barbour.
Author
Barbour, Chad A., author.
ISBN
9781496806840 (hardcover)
1496806840 (hardcover)
9781496820167 (paperback)
1496820169 (paperback)
1496806840 (hardcover)
9781496820167 (paperback)
1496820169 (paperback)
Published
Jackson : University Press of Mississippi, [2016]
Language
English
Description
x, 212 pages : illustrations ; 24 cm
Call Number
PN6725 .B33 2016
Dewey Decimal Classification
741.5/352997073
Summary
"From nineteenth-century American art and literature to comic books of the twentieth century and afterwards, in From Daniel Boone to Captain America Chad Barbour examines the transmission of the ideals and myths of the frontier and playing Indian in American culture. In the nineteenth century, American art and literature developed and nurtured images of the Indian and the frontiersman that exemplified ideals of heroism, bravery, and manhood, as well as embodying fears of betrayal, loss of civilization, and weakness. In the twentieth century, comic books, among other popular forms of media, would inherit these images. The Western genre of comic books participated fully in that genre's conventions, replicating and perpetuating the myths and ideals long associated with the frontier in the United States. A fascination with Native Americans was also present in comic books devoted to depicting the Indian past of the U.S. In such stories, the Indian is always a figure of the past, romanticized as a lost segment of U.S. history, ignoring contemporary and actual Native peoples. Playing Indian occupies a definite subgenre of the Western comics, especially during the postwar period when a host of comics featuring a "white Indian" as the hero were being published. Playing Indian migrates into superhero comics, a phenomenon that heightens and amplifies the notions of heroism, bravery, and manhood already attached to the white Indian trope. Instances of superheroes like Batman and Superman playing Indian correspond with the depictions found in the strictly Western comics. The superhero as Indian is revived in the twenty-first century via Captain America, attesting to the continuing power of this ideal and image."-- Provided by publisher.
Bibliography, etc. Note
Includes bibliographical references and index.
Record Appears in
On-Campus Resources > Books
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Table of Contents
The Indian Male Body and the Heroic Ideal : Tecumseh and the Indians of Parkman and Cooper
The White Frontiersman, Manhood, Domesticity, and Loyalty
From the Nineteenth to the Twentieth Century : The Frontier Mythos in Comics Adaptations
"White Blood Turns Red" : Playing Indian in US Comics
When Superheroes Play Indian : Heroic Masculinity, National Identity, and Appropriation.
The White Frontiersman, Manhood, Domesticity, and Loyalty
From the Nineteenth to the Twentieth Century : The Frontier Mythos in Comics Adaptations
"White Blood Turns Red" : Playing Indian in US Comics
When Superheroes Play Indian : Heroic Masculinity, National Identity, and Appropriation.