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000892408 020__ $$a9780190052164 $$q (electronic book)
000892408 035__ $$a(StDuBDS)EDZ0002079131
000892408 040__ $$aStDuBDS$$beng$$cStDuBDS$$erda$$epn
000892408 050_0 $$aPN1995.9.D6$$bM316 2019
000892408 08204 $$a070.18$$223
000892408 1001_ $$aMacDonald, Scott,$$d1942-$$eauthor.
000892408 24514 $$aThe sublimity of document :$$bcinema as diorama /$$cScott MacDonald.
000892408 264_1 $$aNew York, NY :$$bOxford University Press,$$c2019.
000892408 300__ $$a1 online resource :$$billustrations.
000892408 336__ $$atext$$2rdacontent
000892408 336__ $$astill image$$2rdacontent
000892408 337__ $$acomputer$$2rdamedia
000892408 338__ $$aonline resource$$2rdacarrier
000892408 4901_ $$aOxford scholarship online
000892408 500__ $$aAlso issued in print: 2019.
000892408 504__ $$aIncludes bibliographical references, filmography and index.
000892408 506__ $$aAccess limited to authorized users.
000892408 5208_ $$a'The Sublimity of Document' is an international collection of in-depth, substantive interviews with moving-image artists working 'avant-doc,' that is, making films that explore the territory between documentary and experimental cinema.
000892408 588__ $$aDescription based on online resource; title from home page (viewed on July 9, 2019).
000892408 650_0 $$aDocumentary films$$xHistory and criticism.
000892408 650_0 $$aExperimental films$$xHistory and criticism.
000892408 650_0 $$aMotion picture producers and directors$$vInterviews.
000892408 77608 $$iPrint version: $$z9780190052126
000892408 830_0 $$aOxford scholarship online.
000892408 85280 $$bebk$$hOxford Scholarship Online
000892408 85640 $$3Oxford scholarship online$$uhttps://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1093/oso/9780190052126.001.0001$$zOnline Access
000892408 909CO $$ooai:library.usi.edu:892408$$pGLOBAL_SET
000892408 980__ $$aEBOOK
000892408 980__ $$aBIB
000892408 982__ $$aEbook
000892408 983__ $$aOnline