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000892490 020__ $$a9780190460198$$q(electronic book)
000892490 035__ $$a(StDuBDS)EDZ0002089814
000892490 035__ $$a892490
000892490 040__ $$aStDuBDS$$beng$$erda$$epn$$cStDuBDS
000892490 050_4 $$aML3830$$b.O92 2019eb
000892490 08204 $$a781.11$$223
000892490 24504 $$aThe Oxford handbook of sound and imagination.$$nVolume 1 /$$cedited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard.
000892490 24630 $$aSound and imagination
000892490 264_1 $$aNew York :$$bOxford University Press,$$c2019.
000892490 300__ $$a1 online resource (808 pages).
000892490 336__ $$atext$$2rdacontent
000892490 337__ $$acomputer$$2rdamedia
000892490 338__ $$aonline resource$$2rdacarrier
000892490 4901_ $$aOxford handbooks online
000892490 504__ $$aIncludes bibliographical references and index.
000892490 50500 $$tImagining Sound as the Absolute: The Case of Sarangadeva /$$rSaam Trivedi --$$tShifting Metaphors in the Conceptualization of Musical Knowledge and Learning /$$rPetter Dyndahl --$$tFantasy Control: Implications for Distributed Imagination and Affect Attunement in Music and Sound /$$rUlrik Volgsten --$$tMusical Preferences and the Imagined Self /$$rAlexandra Lamont --$$tBurmese Spirit Worship: Music as a Medium for the Transformation of Self /$$rJudith Becker --$$tOpera and the South African Political /$$rChristopher Ballantine --$$tNoise and Tranquillity at Stonehenge: The Political Acoustics of Cultural Heritage /$$rOdd Are Berkaak --$$tThe Sonic Abject: Sound and Violence in the Legal Imagination /$$rVeit Erlmann --$$tBuilding Worlds Together with Sound and Music: Imagination as an Active Engagement Between Ourselves /$$rKai Tuuri, Henna-Riikka Peltola --$$tSonic Branding: From Brand Image to Brand Imagination /$$rClara Gustafsson --$$tRadio Imaginaries: Music, Space, and Broadcasting in the 1950s /$$rMorten Michelsen --$$tThe Sensation of Sound and Imagination in a Historical Perspective /$$rSven Hroar Klempe --$$tAudio Inside the Mind: The Poetics of Sound /$$rSeán Street --$$tThe Acoustic Imaginations of East Asia /$$rKerim Yasar --$$tImagining Sonic Stories /$$rVincent Meelberg --$$tSound Quality, Language, and Cognitive Metaphors /$$rMads Walther-Hansen --$$tSpeech, Sound, Technology /$$rJohannes Mulder, Theo van Leeuwen --$$tDivergent Images of Early Sound Experience during Infancy and Early Childhood /$$rMichael Forrester --$$tThe Aural Dimension in Comic Art /$$rMarco Pellitteri --$$tSound, Museums, and the Modulation of the Imagination /$$rWilliam Whittington --$$tCinema as Social Knowledge: The Case of the Beatles in the Studio /$$rFrançois Ribac --$$tConcerning the Iconic Signification of Music in Cinema /$$rMichael Chanan --$$tImagining the Sounds Themselves /$$rMalcolm Riddoch --$$tEmbodied Listening: A Moving Dimension of Imagination /$$rMartine Huvenne --$$tThe Listener's Choice: The Sounds of Music, Meanings, and Measurements /$$rOla Stockfelt --$$tImagining Acoustic Spaces through Listening and Acoustic Ecology /$$rBarry Truax --$$tPresence, Environment, and Sound and the Role of Imagination /$$rMark Grimshaw-Aagaard --$$tMusic Places: Imaginative Transports of Listening /$$rJudy I. Lochhead --$$tBeacons of Sound /$$rMartin Knakkergaard --$$tCross-modal correspondences and the analysis of contemporary music: An exploratory investigation /$$rZohar Eitan, Hila Tamir-Ostrover --$$tAuditory Mirrors: About the Politics of Hearing /$$rSabine Sanio --$$tWhat We Hear is Where We Are /$$rLinda-Ruth Salter --$$tBridging the Other-Real: Video Game Sound and the Imagination /$$rTom A. Garner --$$tAuditory Imagination: A Phenomenological Perspective /$$rDaniel A. Schmicking --$$tIntroduction /$$rMark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard --$$tThe Necessity of Vagueness and Ambiguity to the Imagining of Sound /$$rMark Grimshaw-Aagaard --$$tListening and/as Imagination /$$rMarcel Cobussen --$$tImagination, Multimodality, and Sound /$$rJoaquim Braga --$$tSome Anticipatory, Kinesthetic, and Dynamic Aspects of Auditory Imagery /$$rTimothy L. Hubbard --$$tInto the Sounds of War: Imagination, Media, and Experience /$$rMichael Bull.
000892490 506__ $$aAccess limited to authorized users.
000892490 588__ $$aDescription based on online resource; title from home page (viewed on August 6, 2019).
000892490 650_0 $$aMusic$$xPsychological aspects.
000892490 650_0 $$aSound$$xPsychological aspects.
000892490 650_0 $$aImagination.
000892490 7001_ $$aGrimshaw, Mark,$$d1963-$$eeditor.
000892490 7001_ $$aHansen, Mads,$$eeditor.
000892490 7001_ $$aKnakkergaard, Martin,$$d1955-$$eeditor.
000892490 77608 $$iPrint version:$$z9780190460167
000892490 830_0 $$aOxford handbooks.
000892490 85280 $$bebk$$hOxford Handbooks Online
000892490 85640 $$3Oxford handbooks online$$uhttps://univsouthin.idm.oclc.org/login?url=https://dx.doi.org/10.1093/oxfordhb/9780190460167.001.0001$$zOnline Access
000892490 909CO $$ooai:library.usi.edu:892490$$pGLOBAL_SET
000892490 980__ $$aEBOOK
000892490 980__ $$aBIB
000892490 982__ $$aEbook
000892490 983__ $$aOnline