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000898385 019__ $$a1055459763$$a1055827257$$a1082442544$$a1086528870
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000898385 0247_ $$a10.1007/978-3-319-90787-1$$2doi
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000898385 050_4 $$aK487.C8$$bA78 2018
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000898385 24504 $$aThe art of law :$$bartistic representations and iconography of law and justice in context, from the Middle Ages to the First World War /$$cStefan Huygebaert [and 4 others], editors.
000898385 264_1 $$aCham, Switzerland :$$bSpringer,$$c[2018]
000898385 300__ $$a1 online resource
000898385 336__ $$atext$$btxt$$2rdacontent
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000898385 4901_ $$aIus gentium: comparative perspectives on law and justice ;$$vvolume 66
000898385 504__ $$aIncludes bibliographical references and indexes.
000898385 5050_ $$aIntro; Preface; Acknowledgements; Contents; Editors and Contributors; Law, Justice and Art in Historical Perspective; 1 Twenty New Contributions to the Upcoming Research Field of Historical Legal Iconology; Abstract; 1.1 Introduction; 1.2 The 'Art of Law' in the Sense of Historical Legal Iconology; 1.3 Law and Art in the Wider Field of Law and the Humanities; 1.4 Twenty New Contributions to Historical Legal Iconology; 1.4.1 General Thoughts; 1.4.2 Moralising Law and Justice Representations in the Late Middle Ages and Early Modern Era.
000898385 5058_ $$a1.4.3 Lawyers and Justices: Their Books, Their Work, Their Symbols1.4.4 Criminal Justice: Art, Object and Locus; 1.4.5 Justice Architecture and Decorations in the Long Nineteenth Century; 1.5 Illustrative Iconography, Elucidating Iconology, Indexes, New Horizons; References; 2 The Exhibition The Art of Law. Three Centuries of Justice Depicted; Abstract; 2.1 A Thematic Approach; 2.2 Divine Judgment, Worldly Justice; 2.3 Exempla Justitiae: Inspiring Examples; 2.4 The Judge's Skin: The Judgment of Cambyses; 2.5 The Practice of Justice Depicted; 2.6 Lady Justice.
000898385 5058_ $$a2.7 A Stimulating Interdisciplinary Field of StudyReferences; 3 The Mirror Axiom: Legal Iconology and The Lure of Reflection; Abstract; 3.1 Pictorial Regimes; 3.2 Iconologies; 3.3 Specular Dogma; 3.4 Distorted Reflexing; 3.5 Luring Analogies; 3.6 The Question of Style; References; Moralising Law and Justice Representations in the Late Middle Ages and Early Modern Era; 4 Changes in Late-Medieval Artistic Representations of Hell in the Last Judgment in North-Central Italy, ca. 1300-1400: A Visual Trick?; Abstract; 4.1 Introduction; 4.2 The Iconography of Hell; 4.3 The Punishment of Sinners.
000898385 5058_ $$a4.3.1 Beheading4.3.2 Hanging; 4.3.3 Boiling Alive; 4.3.4 Impaling; 4.3.5 Amputation; 4.3.6 Skin Mutilation; 4.4 Why Depict Hell in the Context of Specific Contemporary Secular Punishments?; 4.5 Non-physical Punishments; 4.5.1 Fines; 4.5.2 Imprisonment; 4.5.3 Exile or Banishment; 4.5.4 Other Alternatives to Physical Punishment; 4.6 An Evolving Jurisprudence?; 4.7 A 'Visual Trick'?; 4.8 Conclusion; References; 5 Medieval Iconography of Justice in a European Periphery: The Case of Sweden, ca. 1250-1550; Abstract; 5.1 Introduction.
000898385 5058_ $$a5.2 Late-Medieval and Sixteenth-Century Swedish Context: Images in Legal Manuscripts and Towns5.3 Law- and Judgment-Related Motifs in Swedish Churches: Judgment of Solomon and Moses Receiving the Tables of the Law; 5.4 Truthfulness, (Divine) Justice and Judging in Text Scrolls; 5.5 The Last Judgment and Saint Michael Weighing Souls; 5.6 Conclusion; References; 6 Justitia, Examples and Allegories of Justice, and Courts in Flemish Tapestry, 1450-1550; Abstract; 6.1 Introduction; 6.2 Justitia; 6.2.1 Justice, Highest Virtue of the Prince; 6.2.2 Justice for the Good and the Evil.; 6.2.3 The Triumphal Chariot of Justice.
000898385 506__ $$aAccess limited to authorized users.
000898385 520__ $$aThe contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards? Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations in paintings, statues, drawings, tapestries, prints and books on the other.
000898385 588__ $$aOnline resource; title from digital title page (viewed on October 12, 2018).
000898385 650_0 $$aLaw and art$$xHistory.
000898385 650_0 $$aArt$$xHistory.
000898385 7001_ $$aHuygebaert, Stefan,$$eeditor.
000898385 77608 $$iPrint version:$$aHuygebaert, Stefan.$$tArt of Law : Artistic Representations and Iconography of Law and Justice in Context, from the Middle Ages to the First World War.$$dCham : Springer, ©2018$$z9783319907864
000898385 830_0 $$aIus gentium (Dordrecht, Netherlands)
000898385 852__ $$bebk
000898385 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-90787-1$$zOnline Access$$91397441.1
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