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Intro; Acknowledgments; Praise for Communism and Poetry; Contents; Contributors; Chapter 1: Introduction; Communist Projects and Poetics; The Present Conjuncture; First Coordinate: Eventfulness; Second Coordinate: Anti-Capitalism and Uneven Development; Third Coordinate: Poetry After Modernism; Chapter 2: The Other Minimal Demand; Chapter 3: The Relation Between Poetry and Poems Is Political, Sometimes; Chapter 4: "Everywhere, Worlds Connect": Realist Poetics and the Ecologies of Capitalism; Some Versions of Totality; Animal Globes and Landfills; Coda: Capitalocene Poetics

Chapter 5: "The Changing Same": Value in Marx and Amiri Baraka1; 2; 3; 4; Chapter 6: Mayakovsky at Mirafori: Operaismo and the Negation of Poetry; Chapter 7: Sean Bonney: Poet Out of Time; A Fissure in the Alphabet; The Living and the Dead; Poetry, Struggle, and Defeat; The Countertime of Struggle; In the Wake; Chapter 8: Notes on Poetry and Communism: Abolition, Solidarity, Love; Chapter 9: "Wide as Targes Let Them Be," or, How a Poem Is a Barricade; Chapter 10: "A Whole New Set of Stars": Poetics and Revolutionary Consciousness; Langston Hughes: Assembling Anti-Imperialism

Kenneth Fearing: Cosmic Communism, or Stretching the FigureGwendolyn Brooks: The Riot Cannot Complete Itself and It Finds Its Ends in Love; Poetry as Political Laboratory: Keston Sutherland's Structures of Feeling; "A Whole New Set of Stars": Sean Bonney and Revolutionary Time; Chapter 11: Free Dissociation/Logic; Chapter 12: Just Come Now; Appendix: From Our Death; Razor Psalm; Separation; 4 / A Butcher's Lullaby; 6 / On Throwing Bricks; 10 / A Reference to the Voices; 12 / What Teargas Is For; Terror; 19 / Anywhere Out of the World; 22 / Georg Trakl's Psalm; 23 / "We Are The Dead."

24 / The Torture25 / "Where Have They Been?"; 27 / Under Duress; Index

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