000899168 000__ 02603cam\a2200481Ii\4500 000899168 001__ 899168 000899168 005__ 20230306150204.0 000899168 006__ m\\\\\o\\d\\\\\\\\ 000899168 007__ cr\cn\nnnunnun 000899168 008__ 190801s2019\\\\sz\\\\\\ob\\\\001\0\eng\d 000899168 020__ $$a9783030172909$$q(electronic book) 000899168 020__ $$a3030172902$$q(electronic book) 000899168 020__ $$z3030172899 000899168 020__ $$z9783030172893 000899168 035__ $$aSP(OCoLC)on1110679356 000899168 035__ $$aSP(OCoLC)1110679356 000899168 040__ $$aYDX$$beng$$erda$$cYDX$$dYDXIT$$dGW5XE 000899168 049__ $$aISEA 000899168 050_4 $$aN6497$$b.M36 2019eb 000899168 08204 $$a704.94932532$$223 000899168 1001_ $$aMcMillan, Kate,$$eauthor. 000899168 24510 $$aContemporary art and unforgetting in colonial landscapes :$$bislands of empire /$$cKate McMillan. 000899168 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2019] 000899168 300__ $$a1 online resource. 000899168 336__ $$atext$$btxt$$2rdacontent 000899168 337__ $$acomputer$$bc$$2rdamedia 000899168 338__ $$aonline resource$$bcr$$2rdacarrier 000899168 4901_ $$aPalgrave Macmillan memory studies 000899168 504__ $$aIncludes bibliographical references and index. 000899168 506__ $$aAccess limited to authorized users. 000899168 5208_ $$aThis book explores the work of artists based in the global south whose practices and methods interrogate and explore the residue of Empire. In doing so, it highlights the way that contemporary art can assist in the un-forgetting of colonial violence and oppression that has been systemically minimized. The research draws from various fields including memory studies; postcolonial and decolonial strategies of resistance; activism; theories of the global south; the intersection between colonialism and the Anthropocene, as well as practice-led research methodologies in the visual arts. Told through the author's own perspective as an artist and examining the work of Julie Gough, Yuki Kihara, Megan Cope, Yhonnie Scarce, Lisa Reihana and Karla Dickens, the book develops a number of unique theories for configuring the relationship between art and a troubled past. 000899168 588__ $$aDescription based on online resource; title from digital title page (viewed on August 27, 2019). 000899168 650_0 $$aArt, Modern$$y21st century. 000899168 650_0 $$aArt and history. 000899168 650_0 $$aArt and war. 000899168 650_0 $$aPolitical violence in art. 000899168 650_0 $$aImperialism in art. 000899168 77608 $$iPrint version: $$z3030172899$$z9783030172893$$w(OCoLC)1089778470 000899168 830_0 $$aPalgrave Macmillan memory studies. 000899168 852__ $$bebk 000899168 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-17290-9$$zOnline Access$$91397441.1 000899168 909CO $$ooai:library.usi.edu:899168$$pGLOBAL_SET 000899168 980__ $$aEBOOK 000899168 980__ $$aBIB 000899168 982__ $$aEbook 000899168 983__ $$aOnline 000899168 994__ $$a92$$bISE