000899690 000__ 01519cam\a2200385\i\4500 000899690 001__ 899690 000899690 005__ 20210515180127.0 000899690 006__ m\\\\\o\\d\\\\\\\\ 000899690 007__ cr\un\nnnunnun 000899690 008__ 190214s2019\\\\enk\\\\\ob\\\\001\0\eng\d 000899690 010__ $$a 2019007309 000899690 020__ $$z9781107172852 000899690 020__ $$z1107172853 000899690 035__ $$a(DLC)EBC5842664 000899690 040__ $$aNhCcYBP$$cNhCcYBP 000899690 042__ $$apcc 000899690 043__ $$ae-it--- 000899690 050_4 $$aNB623.V5$$bN45 2019 000899690 08200 $$a730.92$$223 000899690 1001_ $$aNeilson, Christina,$$eauthor. 000899690 24510 $$aPractice and theory in the Italian Renaissance workshop :$$bVerrocchio and the epistemology of making art /$$cChristina Neilson. 000899690 264_1 $$aCambridge, United Kingdom ;$$aNew York, NY :$$bCambridge University Press,$$c[2019] 000899690 300__ $$a1 online resource (x, 355 pages) :$$billustrations 000899690 336__ $$atext$$btxt$$2rdacontent 000899690 337__ $$acomputer$$bc$$2rdamedia 000899690 338__ $$aonline resource$$bcr$$2rdacarrier 000899690 504__ $$aIncludes bibliographical references and index. 000899690 506__ $$aAccess limited to authorized users 000899690 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 000899690 60010 $$aVerrocchio, Andrea del,$$d1435?-1488$$xCriticism and interpretation. 000899690 650_0 $$aArtists' studios$$zItaly$$zFlorence$$xHistory$$y15th century. 000899690 7102_ $$aProQuest (Firm) 000899690 852__ $$bebk 000899690 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=5842664$$zOnline Access 000899690 909CO $$ooai:library.usi.edu:899690$$pGLOBAL_SET 000899690 980__ $$aEBOOK 000899690 980__ $$aBIB 000899690 982__ $$aEbook 000899690 983__ $$aOnline