000906035 000__ 03052cam\a2200433\a\4500
000906035 001__ 906035
000906035 005__ 20210515181908.0
000906035 006__ m\\\\\o\\d\\\\\\\\
000906035 007__ cr\cn\nnnunnun
000906035 008__ 110105s2011\\\\nyu\\\\\ob\\\\001\0\eng\d
000906035 010__ $$z  2011000399
000906035 020__ $$z9780415886314 
000906035 020__ $$z0203828267 $$q(electronic book)
000906035 020__ $$z9780203828267 $$q(electronic book)
000906035 035__ $$a(MiAaPQ)EBC668559
000906035 035__ $$a(Au-PeEL)EBL668559
000906035 035__ $$a(CaPaEBR)ebr10462549
000906035 035__ $$a(CaONFJC)MIL310370
000906035 035__ $$a(OCoLC)712039901
000906035 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ
000906035 043__ $$ae-uk-en
000906035 050_4 $$aPR643.M7$$bM87 2011
000906035 08204 $$a822/.05160902$$222
000906035 1001_ $$aMurakami, Ineke.
000906035 24510 $$aMoral play and counterpublic$$h[electronic resource] :$$btransformations in moral drama, 1465-1599 /$$cIneke Murakami.
000906035 260__ $$aNew York :$$bRoutledge,$$c2011.
000906035 300__ $$axii, 247 p.
000906035 4901_ $$aRoutledge studies in Renaissance literature and culture ;$$v18
000906035 504__ $$aIncludes bibliographical references and index.
000906035 506__ $$aAccess limited to authorized users.
000906035 520__ $$a"In this study, Murakami overturns the misconception that popular English morality plays were simple medieval vehicles for disseminating conservative religious doctrine. On the contrary, Murakami finds that moral drama came into its own in the sixteenth century as a method for challenging normative views on ethics, economics, social rank, and political obligation. From its inception in itinerate troupe productions of the late fifteenth century, "moral play" served not as a cloistered form, but as a volatile public forum. This book demonstrates how the genre's apparently inert conventions from allegorical characters to the battle between good and evil for Mankind's soul veiled critical explorations of topical issues. Through close analysis of plays representing key moments of formal and ideological innovation from 1465 to 1599, Murakami makes a new argument for what is at stake in the much-discussed anxiety around the entwined social practices of professional theater and the emergent capitalist market. Moral play fostered a phenomenon that was ultimately more threatening to the peace of the realm than either theater or the notorious market--a political self-consciousness that gave rise to ephemeral, non-elite counterpublics who defined themselves against institutional forms of authority"--$$cProvided by publisher.
000906035 650_0 $$aMoralities, English$$xHistory and criticism.
000906035 650_0 $$aEnglish drama$$yEarly modern and Elizabethan, 1500-1600$$xHistory and criticism.
000906035 650_0 $$aLiterature and society$$zEngland$$zLondon$$xHistory$$y16th century.
000906035 650_0 $$aChristian drama, English$$xHistory and criticism.
000906035 830_0 $$aRoutledge studies in Renaissance literature and culture ;$$v18.
000906035 852__ $$bebk
000906035 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=668559$$zOnline Access
000906035 909CO $$ooai:library.usi.edu:906035$$pGLOBAL_SET
000906035 980__ $$aEBOOK
000906035 980__ $$aBIB
000906035 982__ $$aEbook
000906035 983__ $$aOnline