000908454 000__ 03071cam\a2200421\a\4500 000908454 001__ 908454 000908454 005__ 20210515182604.0 000908454 006__ m\\\\\o\\d\\\\\\\\ 000908454 007__ cr\cn\nnnunnun 000908454 008__ 120118s2012\\\\nyua\\\\ob\\\\001\0\eng\d 000908454 010__ $$z 2011052172 000908454 020__ $$z9780415509664 000908454 020__ $$z9780203112496 $$q(electronic book) 000908454 035__ $$a(MiAaPQ)EBC1039306 000908454 035__ $$a(Au-PeEL)EBL1039306 000908454 035__ $$a(CaPaEBR)ebr10611762 000908454 035__ $$a(CaONFJC)MIL395567 000908454 035__ $$a(OCoLC)812914953 000908454 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ 000908454 043__ $$ae-uk--- 000908454 050_4 $$aPR478.M6$$bT48 2012 000908454 08204 $$a823/.087330908$$223 000908454 1001_ $$aThurston, Luke. 000908454 24510 $$aLiterary ghosts from the Victorians to Modernism$$h[electronic resource] :$$bthe haunting interval /$$cLuke Thurston. 000908454 260__ $$aNew York :$$bRoutledge,$$c2012. 000908454 300__ $$a186 p. :$$bill. 000908454 440_0 $$aRoutledge studies in twentieth-century literature ;$$v27 000908454 504__ $$aIncludes bibliographical references and index. 000908454 5050_ $$aPrologue: Beyond my notation -- Pt. 1. Literary hospitality -- The spark of life -- Zigzag: the Signalman -- Pt. 2. Guests ? Ghosts -- Broken lineage: M. R. James -- Ineffaceable life: Henry James -- Pt. 3. Hosts of the living -- A loop in a mesh: May Sinclair -- Distant music: Woolf, Joyce -- Double-crossing: Elizabeth Bowen -- Conclusion: the ghostly path. 000908454 506__ $$aAccess limited to authorized users. 000908454 520__ $$aThis book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic ornament, but as a powerful literary response to the technological and psychological disturbances that marked the end of the Victorian era. Linking little-studied authors like M. R. James and May Sinclair to such canonical figures as Dickens, Henry James, Woolf, and Joyce, Thurston argues that the literary ghost should be seen as no mere relic of gothic style but as a portal of discovery, an opening onto the central modernist problem of how to write 'life itself'. Ghost stories should be seen as a distinctly neo-gothic genre, and as such are split between an ironic, often parodic reference to Gothic style and an evocation of 'life itself,' an implicit repudiation of all literary style. Reading the ghost story as both a guest and a host story, this book traces the ghost as a disruptive figure in the 'hospitable' space of narrative from Maturin, Poe and Dickens to the fin de siècle, and then on into the twentieth century. --$$cSource other than Library of Congress. 000908454 650_0 $$aEnglish literature$$y20th century$$xHistory and criticism$$xTheory, etc. 000908454 650_0 $$aEnglish literature$$y19th century$$xHistory and criticism$$xTheory, etc. 000908454 650_0 $$aModernism (Literature)$$zGreat Britain. 000908454 650_0 $$aGhosts in literature. 000908454 852__ $$bebk 000908454 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=1039306$$zOnline Access 000908454 909CO $$ooai:library.usi.edu:908454$$pGLOBAL_SET 000908454 980__ $$aEBOOK 000908454 980__ $$aBIB 000908454 982__ $$aEbook 000908454 983__ $$aOnline