000908456 000__ 03365cam\a2200421\a\4500 000908456 001__ 908456 000908456 005__ 20210515182604.0 000908456 006__ m\\\\\o\\d\\\\\\\\ 000908456 007__ cr\cn\nnnunnun 000908456 008__ 120319s2013\\\\nyua\\\\ob\\\\001\0\eng\d 000908456 010__ $$z 2012010549 000908456 020__ $$z9780415694230 000908456 020__ $$z9780203097816 $$q(electronic book) 000908456 035__ $$a(MiAaPQ)EBC1039308 000908456 035__ $$a(Au-PeEL)EBL1039308 000908456 035__ $$a(CaPaEBR)ebr10611742 000908456 035__ $$a(CaONFJC)MIL395539 000908456 035__ $$a(OCoLC)812911667 000908456 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ 000908456 043__ $$aa-ja--- 000908456 050_4 $$aNC1764.8.H57$$bM36 2013 000908456 08204 $$a741.5/952$$223 000908456 24500 $$aManga and the representation of Japanese history$$h[electronic resource] /$$cedited by Roman Rosenbaum. 000908456 250__ $$a1st ed. 000908456 260__ $$aNew York :$$bRoutledge,$$c2013. 000908456 300__ $$axvii, 273 p. :$$bill. 000908456 440_0 $$aRoutledge contemporary Japan series ;$$v44 000908456 504__ $$aIncludes bibliographical references and index. 000908456 506__ $$aAccess limited to authorized users. 000908456 520__ $$a"This edited collection explores how graphic art and in particular Japanese manga represent Japanese history. The articles explore the representation of history in manga from disciplines that include such diverse fields as literary studies, politics, history, cultural studies, linguistics, narratology, and semiotics. Despite this diversity of approaches all academics from these respective fields of study agree that manga pose a peculiarly contemporary appeal that transcends the limitation imposed by traditional approaches to the study and teaching of history. The representation of history via manga in Japan has a long and controversial historiographical dimension. Thereby manga and by extension graphic art in Japanese culture has become one of the world's most powerful modes of expressing contemporary historical verisimilitude. The strategy of combining the narrative elements of writing with graphic art, the extensive narrative story-manga and its Western equivalent of the graphic novel, reflects the relatively new soft power of 'global' media, which have the potential to display history in previously unimagined ways. Boundaries of space and time in manga become as permeable as societies and cultures across the world. Each of the articles in this book investigates the authorship of history by looking at various different attempts to render Japanese history through the popular cultural media of the story-manga. As Carol Gluck, Tessa Morris-Suzuki, Susan Napier and others have shown, it has never been easy to encapsulate the complex narrative of emperor-based cyclical Japanese historical periods. The contributors to this volume elaborate how manga and by extension graphic art rewrites, reinvents and re-imagines the historicity and dialectic of bygone epochs in postwar/contemporary Japan. "--$$cProvided by publisher. 000908456 650_0 $$aHistory in art. 000908456 650_0 $$aComic books, strips, etc.$$zJapan$$xThemes, motives. 000908456 650_0 $$aArt and society$$zJapan$$xHistory$$y20th century. 000908456 650_0 $$aArt and society$$zJapan$$xHistory$$y21st century. 000908456 7001_ $$aRosenbaum, Roman. 000908456 852__ $$bebk 000908456 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=1039308$$zOnline Access 000908456 909CO $$ooai:library.usi.edu:908456$$pGLOBAL_SET 000908456 980__ $$aEBOOK 000908456 980__ $$aBIB 000908456 982__ $$aEbook 000908456 983__ $$aOnline