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Table of Contents
Introduction
The canon in practice
The history of the discipline or how it became possible to study film
The history of the canon: the development (and deconstruction) of the film studies canon
Key approaches: genre theory
Competing approaches: screen theory
Reading a film
Film studies and narrative theories
Spectatorship and audience studies
Creative engagement
Film and identity
Postmodernism and cultural studies
Film as industry.
The canon in practice
The history of the discipline or how it became possible to study film
The history of the canon: the development (and deconstruction) of the film studies canon
Key approaches: genre theory
Competing approaches: screen theory
Reading a film
Film studies and narrative theories
Spectatorship and audience studies
Creative engagement
Film and identity
Postmodernism and cultural studies
Film as industry.