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Introduction: situating postsecularism
Postsecularism and aesthetics: Michael Ondaatje's The English patient
Minority's Christianity: Allan Sealy's The Everest Hotel
Postsecularism and violence: Michael Ondaatje's Anil's ghost
If truth were a Sikh woman: Shauna Singh Baldwin's What the body remembers
Postsecularism and prophecy: Salman Rushdie's The satanic verses
Art after the fatwa: Salman Rushdie's Haroun and the sea of stories, The Moor's last sigh, Shalimar the clown, and The enchantress of Florence
The known and the unknowable: Amitav Ghosh's The hungry tide and Mahasweta Devi's "Pterodactyl, puran sahay, and pirtha"
Coda.

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