000909492 000__ 03357cam\a2200409\a\4500 000909492 001__ 909492 000909492 005__ 20210515182838.0 000909492 006__ m\\\\\o\\d\\\\\\\\ 000909492 007__ cr\cn\nnnunnun 000909492 008__ 120803s2013\\\\nyua\\\\ob\\\\001\0\eng\d 000909492 010__ $$z 2012031561 000909492 020__ $$z9780415895408 000909492 020__ $$z9780203078518 $$q(electronic book) 000909492 035__ $$a(MiAaPQ)EBC1114716 000909492 035__ $$a(Au-PeEL)EBL1114716 000909492 035__ $$a(CaPaEBR)ebr10650230 000909492 035__ $$a(CaONFJC)MIL428575 000909492 035__ $$a(OCoLC)827208892 000909492 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ 000909492 050_4 $$aML457$$b.S23 2013 000909492 08204 $$a781.1/1$$223 000909492 1001_ $$aSanden, Paul. 000909492 24510 $$aLiveness in modern music$$h[electronic resource] :$$bmusicians, technology, and the perception of performance /$$cPaul Sanden. 000909492 250__ $$a1st ed. 000909492 260__ $$aNew York :$$bRoutledge,$$c2013. 000909492 300__ $$axiv, 206 p. :$$bill. 000909492 440_0 $$aRoutledge research in music ;$$v5 000909492 504__ $$aIncludes bibliographical references and index. 000909492 5050_ $$aA theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. 000909492 506__ $$aAccess limited to authorized users. 000909492 520__ $$aThis study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an ever-changing musical and technological terrain is one of the more complex and timely challenges facing scholars of current music, where liveness is typically understood to represent performance and to stand in opposition to recording, amplification, and other methods of electronically mediating music. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines. Sanden analyzes liveness in mediatized music (music for which electronic mediation plays an intrinsically defining role), exploring the role this concept plays in defining musical meaning. In discussions of music from both popular and classical traditions, Sanden demonstrates how liveness is performed by acts of human expression in productive tension with the electronic machines involved in making this music, whether on stage or on recording. Liveness is not a fixed ontological state that exists in the absence of electronic mediation, but rather a dynamically performed assertion of human presence within a technological network of communication. This book provides new insights into how the ideas of performance and liveness continue to permeate the perception and reception of even highly mediatized music within a society so deeply invested, on every level, with the use of electronic technologies. 000909492 650_0 $$aMusic$$xPerformance$$xHistory. 000909492 650_0 $$aMusical perception. 000909492 650_0 $$aMusic$$xPsychological aspects. 000909492 852__ $$bebk 000909492 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=1114716$$zOnline Access 000909492 909CO $$ooai:library.usi.edu:909492$$pGLOBAL_SET 000909492 980__ $$aEBOOK 000909492 980__ $$aBIB 000909492 982__ $$aEbook 000909492 983__ $$aOnline