000909635 000__ 03175cam\a2200397\a\4500 000909635 001__ 909635 000909635 005__ 20210515182855.0 000909635 006__ m\\\\\o\\d\\\\\\\\ 000909635 007__ cr\cn\nnnunnun 000909635 008__ 120705s2013\\\\nyua\\\\ob\\\\001\0\eng\d 000909635 010__ $$z 2012027433 000909635 020__ $$z9780415807807 000909635 020__ $$z9780415807821 000909635 020__ $$z9780203127858 $$q(electronic book) 000909635 035__ $$a(MiAaPQ)EBC1125271 000909635 035__ $$a(Au-PeEL)EBL1125271 000909635 035__ $$a(CaPaEBR)ebr10659427 000909635 035__ $$a(CaONFJC)MIL445372 000909635 035__ $$a(OCoLC)828298552 000909635 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ 000909635 050_4 $$aML3470$$b.R425 2013 000909635 08204 $$a781.6409$$223 000909635 24500 $$aRedefining mainstream popular music$$h[electronic resource] /$$cedited by Sarah Baker, Andy Bennett, and Jodie Taylor. 000909635 260__ $$aNew York ;$$aAbingdon [England] :$$bRoutledge,$$c2013. 000909635 300__ $$axiv, 222 p. :$$bill. 000909635 504__ $$aIncludes bibliographical references and index. 000909635 50500 $$tMainstream as metaphor : imagining dominant culture /$$rAlison Huber --$$tTeenybop and the extraordinary particularities of mainstream practice /$$rSarah Baker --$$tMainstream mythology : the industrial organization of The Archies /$$rMatt Stahl --$$tLesbian musicalities, queer strains and celesbian pop : the poetics and polemics of women-loving women in mainstream popular music /$$rJodie Taylor --$$tThe positioning of the mainstream in punk /$$rErik Hannerz --$$tKill the static : temporality and change in the hip-hop mainstream (and its "other") /$$rMurray Forman --$$tThe contradictions of the mainstream : Australian views of grunge and commercial success /$$rCatherine Strong --$$tElvis goes Hollywood : authenticity, resistance, commodification and the mainstream /$$rDavid Baker --$$tWalking in Memphis? : Elvis heritage between fan fantasy and built environment /$$rMark Duffett --$$t"Following in mother's silent footsteps" : revisiting the construction of femininities in 1960s popular music /$$rSheila Whiteley --$$tMusic from abroad : the internationalization of the US mainstream music market, 1940-90 /$$rTimothy J. Dowd --$$t"Sounds like an official mix" : the mainstream aesthetics of mash-up production /$$rAdrian Renzo --$$tChasing an aesthetic tail : latent technological imperialism in mainstream production /$$rDennis Crowdy --$$tThe hobbyist majority and the mainstream fringe : the pathways of independent music-making in Brisbane, Australia /$$rIan Rogers --$$tOff the beaten track : vernacular and the mainstream in New Zealand tramping club singsongs /$$rMichael Brown --$$tMusical listening at work : mainstream musical listening practices in the office /$$rMichael Walsh --$$tCheesy listening : popular music and ironic listening practices /$$rAndy Bennett. 000909635 506__ $$aAccess limited to authorized users. 000909635 650_0 $$aPopular music$$xHistory and criticism. 000909635 650_0 $$aPopular culture. 000909635 7001_ $$aBaker, Sarah,$$d1977- 000909635 7001_ $$aBennett, Andy,$$d1963- 000909635 7001_ $$aTaylor, Jodie,$$d1980- 000909635 852__ $$bebk 000909635 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=1125271$$zOnline Access 000909635 909CO $$ooai:library.usi.edu:909635$$pGLOBAL_SET 000909635 980__ $$aEBOOK 000909635 980__ $$aBIB 000909635 982__ $$aEbook 000909635 983__ $$aOnline