000909679 000__ 03032cam\a2200421\a\4500 000909679 001__ 909679 000909679 005__ 20210515182901.0 000909679 006__ m\\\\\o\\d\\\\\\\\ 000909679 007__ cr\cn\nnnunnun 000909679 008__ 120618s2013\\\\nyua\\\\ob\\\\001\0\eng\d 000909679 010__ $$z 2012023370 000909679 020__ $$z9780415699426 000909679 020__ $$z9780415699433 000909679 020__ $$z9780203136010 $$q(electronic book) 000909679 035__ $$a(MiAaPQ)EBC1128313 000909679 035__ $$a(Au-PeEL)EBL1128313 000909679 035__ $$a(CaPaEBR)ebr10660647 000909679 035__ $$a(CaONFJC)MIL447356 000909679 035__ $$a(OCoLC)829461172 000909679 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ 000909679 050_4 $$aNX195$$b.M43 2013 000909679 08204 $$a302.23$$223 000909679 24500 $$aMedia authorship$$h[electronic resource] /$$cedited by Cynthia Chris and David A. Gerstner. 000909679 250__ $$a1st ed. 000909679 260__ $$aNew York :$$bRoutledge,$$c2013. 000909679 300__ $$axii, 311 p. :$$bill. 000909679 440_0 $$aAFI film readers 000909679 504__ $$aIncludes bibliographical references and index. 000909679 5050_ $$apt. 1. Signature -- pt. 2. Event -- pt. 3. Context. 000909679 506__ $$aAccess limited to authorized users. 000909679 520__ $$a"Contemporary media authorship is frequently collaborative, participatory, non-site specific, or quite simply goes unrecognized. In this volume, media and film scholars explore the theoretical debates around authorship, intention, and identity within the rapidly transforming and globalized culture industry of new media. Defining media broadly, across a range of creative artifacts and production cultures--from visual arts to videogames, from textiles to television--contributors consider authoring practices of artists, designers, do-it-yourselfers, media professionals, scholars, and others. Specifically, they ask: - What constitutes "media" and "authorship" in a technologically converged, globally conglomerated, multiplatform environment for the production and distribution of content? - What can we learn from cinematic and literary models of authorship--and critiques of those models--with regard to authorship not only in television and recorded music, but also interactive media such as videogames and the Internet? - How do we conceive of authorship through practices in which users generate content collaboratively or via appropriation? - What institutional prerogatives and legal debates around intellectual property rights, fair use, and copyright bear on concepts of authorship in "new media"? By addressing these issues, Media Authorship demonstrates that the concept of authorship as formulated in literary and film studies is reinvigorated, contested, remade--even, reauthored--by new practices in the digital media environment"--$$cProvided by publisher. 000909679 650_0 $$aArts$$xAuthorship. 000909679 650_0 $$aCreation (Literary, artistic, etc.) 000909679 7001_ $$aChris, Cynthia,$$d1961- 000909679 7001_ $$aGerstner, David A.,$$d1963- 000909679 852__ $$bebk 000909679 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=1128313$$zOnline Access 000909679 909CO $$ooai:library.usi.edu:909679$$pGLOBAL_SET 000909679 980__ $$aEBOOK 000909679 980__ $$aBIB 000909679 982__ $$aEbook 000909679 983__ $$aOnline