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Table of Contents
Introduction
When images begin to sound: a theoretical framework
Language and reification in the "emigré" film noir
The "question of language" in postwar Italian cinema
Linguistic displacement and sound-image disjunction
Linguistic displacement and uncanny discourse
Concluding remarks.
When images begin to sound: a theoretical framework
Language and reification in the "emigré" film noir
The "question of language" in postwar Italian cinema
Linguistic displacement and sound-image disjunction
Linguistic displacement and uncanny discourse
Concluding remarks.