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Introduction: theatre, performance and social assemblage theory
Theatrical assemblages and theatrical markets
Georgian performance and the assemblage model
Theatrical celebrity as social assemblage: from Garrick to Kean
Celebrity networks: Kean and Siddons
A working theatrical assemblage: 1790s
Representations of naval conflict
Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794
Historicizing the theatrical assemblage: Marie Antoinette and the theatrical queens
The regulatory assemblage: the Roman actor and the politics of self-censorship
Conclusion.

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